Tag: Center Stage

  • ProgPower USA 2024 in Atlanta Resumes On Day Two

    ProgPower USA 2024 in Atlanta Resumes On Day Two

    Kristin Starkey

    The journey to attend ProgPower USA XXIII (PPUSA) began in August of 2023 in my initial conversations after meeting my friend Christina. She made a comment about a Monsters of Rock Cruise (MoRC) shirt I was wearing and how the 2024 sailing would be her first time on that cruise.

    Soon, our conversation shifted to had I ever been to PPUSA? My answer was, I had never even heard of it. After more conversation and hearing how Christina had been to all twenty two previous festivals, I knew I needed to check it out. Upon further research I discovered that:

    “ProgPower USA is a progressive and power metal festival held annually in the United States since 2001…The festival’s band selection process focuses on quality over quantity. In addition to the emphasis on the power and progressive metal genres, the festival has branched out into other genres with the inclusion of the “oddball” slot that does not fit the normal motif.

    ProgPower USA gives bands that have never performed in the States a chance to perform in the country. The festival has been described as a cultural experience for fans with autograph signing sessions, guest appearances, reunions, and meet-and-greets. The festival has hosted over 70 bands’ USA debuts…”[1]

    After meeting some of Christina’s PPUSA friends and hearing their excitement as they talked about years past and how much they were looking forward to this year’s event, I could sense the same feeling of a family community within the PPUSA community that I have experienced with the Monsters community.

    When the planets aligned for me to not only attend PPUSA, but cover the event, my travel arrangements were made within the hour after said planetary alignment. This year’s event was again held in Atlanta, GA, September 4-7, 2024, at Center Stage, a mid-sized concert complex comprising three separate venues.

    The 2024 lineup was stacked with bands that it would be my first exposure to, and I specifically chose to go in ‘deaf and blind’ so I can experience these bands in their live, raw sound.

    Venue Staff

    Before I begin to describe the awesomeness that this festival experience was for me, I want to express thanks and gratitude to the behind the scenes staff who make this event happen, specifically the stage production staff, the sound and lighting team and the security group.

    I also want to mention the great job that the venue food and beverage staff, the box office staff, fellow photographers, and the ProgPower USA staff did as a whole. There is tireless dedicated work before, during and after an event like this and there is no way it can be successful without the people who make it happen. I know the effort that goes into making this event run smoothly is considerable.

    I spent a bit of time familiarizing myself with the event website where a detailed daily schedule was posted before the event and I compliment the team on keeping things running on time and smooth for the entire event.  

    On the site I felt the Promoter’s note (Glenn Harveston) solidifies my thought that any song played is THE song any given person there came to hear being performed live when he wrote “…you will see new bands.

    You will see old friends. You will see bands that make you question my sanity. You will see bands you think suck, but others think are awesome…”[2]. I for sure saw a ton of new bands, and for that reason alone I think makes it worth stepping out of your comfort zone in life to experience new things.

    Temperance

    Due to my work schedule I was not able to attend the first day of the event or my knowledge of new bands would be that much greater. However, at my hotel in Atlanta, in the late evening hours I did encounter many obvious first day festival attendees.

    We metalheads roll deep and conversation ensued between a few of us and already new friends were made. After arriving at the venue and making my way to the seating and floor area and being totally unfamiliar with the venue, I found a slightly elevated section at the back of the floor area in front of the seats. The first band I was exposed to was Temperance and the amazing operatic vocal range of Kristin Starkey.

    Temperance

    An Italian modern melodic power metal band, I was more fixated on the power behind amazing Kristin’s vocal delivery. While the words melodic and power metal do not seem to go together to the uninitiated, this band made it work and certainly captured my attention. The day and my festival experience was off to a fantastic start.

    Temperance

    Earthside was up next and they were a little too atmospheric for me. I decided to check out the rest of the venue after getting a few photos of the band performing.

    Earthside

    Each band is given a minimum of an hour to play, with progressively longer sets as the day goes along, so I knew I could pop back in and I did at the end of their set as I always appreciate seeing the fan reaction and Earthside was shown a lot of fan love at the conclusion of their set.

    There were TV feed in multiple places in the venue’s lobby so one was never far from the action. Of the three venues inside the one building, the vendor room was set up in the smaller of the two in the main section. This was also where the autograph sessions would take place throughout the weekend.

    Earthside

    After the Earthside set concluded, I went into the main performance area to get a good look at it in the light. With an open floor area surrounded by elevated stadium style seating with a capacity just over one thousand, it truly was an intimate setting where literally any and every seat in the house has a great sightline views.

    Earthside

    As I was waiting for this set to begin, I noticed more and more people on the floor brandishing blow up swords I sensed there would be a lot of raised swords in the air from my vantage point and I elected to find a seat a couple of rows up and on the stage right side.

    Twilight Force

    Twilight Force took the stage and here is where I first questioned Glenn’s sanity. I saw band members dressed like Robin Hood characters and could not snap enough photos.

    Twilight Force

    It took me a few minutes to realize it was Kristin Starkey on stage again and just delivering vocal power unlike anything I have ever heard before, well, at least before today. I had never heard of the term ‘adventure metal’ but there it was when I looked the band up after their set:

    Twilight Force

    “The group describes themselves as “adventure metal,” in part due to the use of costumes, props, and demeanor onstage. The band has cited early role-playing games like Heroes of Might & Magic and table-top role-playing games like Dungeons & Dragons as inspiration for their appearance.”[3] 

    Twilight Force

    I felt like their set was an adventure – like I was fighting the dragons in my life and having an army of metal brethren by my side. It was the most visually stimulating set that I witnessed this weekend and after their set, Glenn’s sanity was no longer in question.

    Leprous
    Leprous

    Next up was Leprous, a Norwegian progressive metal quintet that surrounded themselves on stage with a mass of piped in smoke/fog, which made it difficult to get decent photos. After the fact, once I was home and had a chance to go through my photos I realized while difficult at the moment of clicking the photo, the smoke/fog actually gave the photos a really neat visual effect.

    Leprous

    The technicality of this band’s music is completely off the charts, as some of their earlier catalog makes use of an eight stringed  guitar, which allows for a wider tonal range and  non-standard tuning. I made a mental note that I needed to dig deeper into this band’s discography.

    Dark Tranquility

    Swedish melodic death metallers Dark Tranquility closed out as the headliner for my first day in the PPUSA realm and the second day of the festival. I had heard of this band before but had not knowingly heard any of their music.

    Dark Tranquility

    After the fact, I discovered Dark Tranquility are considered one of the pioneering bands in the melodic death metal genre and after my experience I can describe their musical sound as balance of aggressive ferocity and melodic emotion. Their set was my first instance of seeing a mosh pit break out on the floor.

    Dark Tranquility

    They had the entire crowd captivated and I was mesmerized by the tonal harmonic melodies created by the twin lead guitars that just seemed to fit well with vocalist’s Mikael Stanne use of genre expected harsh, growled vocals. It certainly made for a wide musical range for the various bands that performed this day.

    Dark Tranquility

    At the conclusion of this day’s events I elected not to attend the after show party in The Loft upstairs. I used the walk back to the hotel to reflect on what I had witnessed this day. The new bands I had been exposed to, and the depth of the love fans have for this event and each other.

    Leprous

    At festivals, I love to people watch and see the moment when a fan is overcome with emotion at a certain part of a song and this happened numerous times today. It is those memories that help me appreciate the planets aligning for me to attend this year and to call it a successful first day for me at this year’s ProgPower USA 2024 event.

    For more photos of the day’s festivities, go here.  

    [1] https://en.wikipedia.org/wiki/ProgPower_USA

    [2] https://progpowerusa.com/media/PPUSA-XXIII-Mini-Program.pdf

    [3] https://en.wikipedia.org/wiki/Twilight_Force

  • Don’t Call it a Comeback with Queensryche and Armored Saint

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    John Bush (Photo-Travis Failey)

    2016 has been a memorable year in music. There have been some positives, like the Guns and Roses reunion, Metallica’s long-awaited new release, but 2016 will also be known as the year that we lost some of the greats: David Bowie, Prince, and Glen Frey, just to name a few. One thing is for certain, the singers and their bands that have donned the stage in 2016 have been extraordinary and without comparison to recent years.  From Steven Tyler to Iron Maiden, Pearl Jam to Metallica, concert goers of all genres have had the opportunity to satisfy their concert fill in 2016.

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    Michael Wilton (Photo-Travis Failey)

    Just when I thought that the hard rock/heavy metal tour schedule for 2016 couldn’t get any better, the Queensrÿche “Condition Human” tour was announced with Armored Saint as its special guest in Ybor City. I was shocked to see that Armored Saint was on this tour, especially with a Tampa stop on their schedule.

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    John Bush (Photo-Travis Failey)

    To my knowledge, and according to lead singer John Bush, Armored Saint had never played in Tampa before, and due to issues with the original promoter, they almost didn’t. Fat Harry Productions stepped up in a big way, saved the day, and the show at Ybor’s Cuban Club went off without a hitch.

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    Raine Hilai (Photo-Travis Failey)

    After Raine Hilai and Midnight Eternal got the crowd warmed up with songs from their self-titled debut album, Armored Saint took the stage and opened up with the title track from 2015’s Win Hands Down. Vocalist John Bush whipped the crowd into a frenzy early, particularly during 1984’s “March of the Saint,” and “Last Train Home,” from their highly respected 1991 release, Symbol of Salvation.

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    John Bush (Photo-Travis Failey)

    Symbol of Salvation was Armored Saint’s last release, before they went on an extended hiatus that lasted until 1999. It was also during this period that John Bush was the vocalist for Anthrax, replacing Joey Belladonna.

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    Phil Sandoval (Photo-Travis Failey)

    Armored Saint incorporated their classics with new material, not only from Win Hands Down but also “Left Hook From Right Field” from the highly underrated 2010 release, La Raza. The dual ax team of Jeff Duncan and Phil Sandoval, along with bassist Joey Vera, put on a stage show that young bands should take lessons from.

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    Joey Vera & Phil Sandoval (Photo-Travis Failey)

    They jammed non-stop while Gonzo Sandoval manned the back line producing thunderous beats from behind the kit. Speaking of Gonzo’s brother Phil, he performed visual guitar gymnastics throughout the set and was amazing to watch live.

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    Gonzo Sandoval (Photo-Travis Failey)

    Armored Saint finished its set with its two biggest hits to date, “Reign of Fire,” and “Can U Deliver,” while John Bush climbed the scaffolding high above the Cuban Club’s moonlit courtyard.  John Bush proved once again that he should be on the list of the all-time great metal singers, as he sings with energy, emotion and power, and he doesn’t rely on back tracks or processors. Bush is also a perfect example of a singer has taken care of his voice, which has prolonged his career, not only as a singer, but as a professional voice-over specialist.

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    Jeff Duncan (Photo-Travis Failey)

    As the final notes rang out and Armored Saint left the stage for the tour bus, I heard fans buzzing about what they just witnessed.  It was another amazing performance by a band that should have been in the same conversation as the other metal greats, but due to timing and other factors Armored Saint didn’t reach those heights.

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    John Bush (Photo-Travis Failey)

    But in 2016, Armored Saint is back in the game with a vengeance, and if you’re lucky, they will be coming to a town near you… “With a Full Head of Steam.”

     

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    Todd La Torre (Photo-Travis Failey)

    Tonight’s headliner was a rejuvenated Queensrÿche with singer Todd La Torre coming back home for a special performance after being out on the road for over a year supporting  Queensrÿche’s critically acclaimed Condition Human release. A lot of Queensrÿche’s fans questioned the legitimacy of the band after they replaced/fired Geoff Tate. To answer that question, all you have to do is see this band perform live. Todd La Torre not only nailed the new material; but also the classics from Queensrÿche’s self-titled EP released in 1983, throughout the Promised Land years.

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    Michael Wilton (Photo-Travis Failey)

    Queensrÿche opened up with “Guardian” from Condition Human and then took the fans on a journey through their catalog, only slowing the set down once during, “Silent Lucidity.”

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    Scott Rockenfield (Photo-Travis Failey)

    “Operation: Mindcrime” followed “Guardian” which featured the video montages in the hospital that originally supported Queensrÿche’s 1988 breakout concept album.  Throughout the set, Queensrÿche threw in a couple rarities that the die-hard fans appreciated, specifically with “Damaged,” “The Killing Words,” and “The Mission.”

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    Michael Wilton (Photo-Travis Failey)

    Guitarist Michael Wilton was on fire on a cool outdoor night in Tampa. I’ve watched this band throughout the highs and lows of their career, and the founding members, including bassist Eddie Jackson, Drummer Scott Rockenfield and Wilton all look like they found the fountain of youth.

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    Eddie Jackson (Photo-Travis Failey)

    There was a special moment during the set as La Torre brought his friend Shawn Lowery on stage and dedicated the classic “Take Hold of the Flame” to him. ” Lowery is battling Stage 4 cancer and is a local drummer and metal works expert who created La Torre’s custom mic stand. (Check out http://www.sawbladeheaddesigns.com/mrsawbladehead for some of Shawn’s amazing creations)

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    Shawn Lowery and Todd La Torre (Photo-Travis Failey)

    La Torre also stressed during the dedication that people need to lift each other up during these tough times and to not be a bunch of haters. Unfortunately, there is always one in the crowd. During “Screaming in Digital,” a fan in the front decided to flip La Torre off repeatedly. La Torre acknowledged him with his own single finger bird salute and crushed a very difficult song to sing without missing a beat. After the song La Torre called out the hater saying: “I don’t tell you to fuck off at your house, [so] don’t tell me to fuck off at mine!”

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    Todd La Torre (Photo-Travis Failey)

    Queensryche closed out its set with “Screaming in Digital,” then “Eyes of a Stranger” after performing arguably their strongest song in years, “Hellfire.” “Hellfire” showcases all of the band’s musical talents, especially Scott Rockenfield’s drumming and La Torre’s vocal range with amazing harmonies from Parker Lundgren and Eddie Jackson.

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    Parker Lundgren (Photo-Travis Failey)

    After the show, La Torre hung out with old friends and new fans alike in the Cuban Club courtyard. La Torre is a perfect example of how hard work and dedication pays off. Many hugs were given, pictures were taken, and memories were made.

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    Jeff Duncan & John Bush (Photo-Travis Failey)

    Armored Saint and Queensrÿche have taken two different but similar paths to the Cuban Club in Ybor City on Thursday night. Both have experienced lineup changes and have had their ups and downs but both bands are stronger now due to their resiliency. It’s with that strength, that Armored Saint and Queensrÿche released some of their best material in years, and the direction arrow for both of the bands’ futures seem to be on an upward swing.

    Check out this tour. It’s a must see. Tour dates:

    http://www.queensrycheofficial.com/tour-dates/

    Additional Photos by Travis Failey

     

  • Armored Saint Delivers in Atlanta

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    Armored Saint (Photo-Travis Failey)

    Armored Saint at the Center Stage Theatre in Atlanta.

    An unforgettable night was provided by Armored Saint as they kicked off their tour in support of their new release, Win Hands Down, and opened for Saxon.   But this wasn’t just a regular stop on their tour: it was the pre-show to the 2015 Progpower Festival in Atlanta. There were plenty of highlights during Armored Saint’s set, but my favorite part of the evening was having the opportunity to talk to the guys in the band for a couple minutes prior to the show. I’ve been a Armored Saint fan since a co-worker played “Reign of Fire” for me when I moved to LA in 1992.

    Jeff Duncan & Phil Sandoval
    Jeff Duncan & Phil Sandoval (Photo-Travis Failey)

    Upon hearing the opening song on Symbol of Salvation, I raced to Tower Records on Sunset Strip to buy it and it is still in my regular rotation to this day. To me, Symbol of Salvation is a 13-song roller coaster of energy, melody and emotion and is considered a “must have” for any self-respecting heavy metal fan. Even though Armored Saint achieved critical success with Symbol of Salvation, the band disbanded and reunited numerous times, all the while recording albums and touring. I moved back to Florida during those years, and never had the opportunity to see Armored Saint live, but that would change some 23 years later.

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    Gonzo Sandoval (Photo-Travis Failey)

    I have never experienced a show at the Center Stage Theatre in downtown Atlanta. Center Stage Theatre was packed as Almah (from Brazil) and Dragonland (from Sweden) brought a bunch of their faithful fans with them. The sound in the venue was amazing. Center Stage Theatre is setup with an open floor and theatre seating that rises through the back up dome-shaped walls. I’ve been in a lot of musical venues across the country, and the Center Stage Theatre is truly special facility from an audio standpoint. There were a couple technical hiccups early in the set but they didn’t affect the attitude of the band and the crew changed some gear out quickly.

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    Armored Saint (Photo-Travis Failey)

    With Dragonland playing for the first time in the United States, they treated their fans to a 14-song set, which gave me the opportunity to take a few pictures and chat with the guys in Armored Saint for a couple minutes before their set. Guitarist Phil Sandoval and I talked about La Raza, their 2010 release, which has a variety of styles and songs and I believe, is very underrated and unappreciated. As Phil and I talked, vocalist John Bush came in and warmed up by singing the title track from Win Hands Down. The guys were very gracious and even took some band pictures with me before they took the stage.

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    John Bush & Phil Sandoval (Photo-Travis Failey)

    Armored Saint got their fans fired up with the Judas Priest classic, “Delivering the Goods” blaring though the house speakers, then opened the curtain with the aforementioned “Win Hands Down”. Their most recent single set the tone as the onslaught of power and energy was non-stop throughout their 11-song set that spanned their whole career.  The title track from their first full length album, March of the Saint was next and the crowd sang the chorus with John Bush, who got the crowd involved early and often. Guitarists Phil Sandoval and Jeff Duncan are the epitome of a heavy metal guitar tandem with songwriting skills reminiscent of Maiden and Priest. Phil Sandoval is amazing to watch live and he is always performing visual guitar gymnastics with Jeff Duncan engaging the crowd throughout his performance.

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    Phil Sandoval (Photo-Travis Failey)

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    Jeff Duncan (Photo-Travis Failey)

    Another one of the highlights of their set was “Left Hook From Right Field” off of La Raza, which showcases John Bush’s vocal range. I didn’t hear any missteps or vocal mistakes from Bush all night. He also doesn’t have to use ridiculous dance moves or dog videos to make up for lost ability due to aging or vocal destruction.

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    John Bush (Photo-Travis Failey)

    Tonight he brought frenetic energy and combined it with booming melodic vocals. He also left the stage and went deep into the crowd and made some fans’ night by letting them assist him in singing their biggest hit to date in Symbol of Salvation’s “Reign of Fire”.

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    John Bush & Fans (Photo-Travis Failey)

    On a side note, I’ve heard John Bush live many times as the vocalist of Anthrax and he is amazing. I don’t think that he gets the credit he deserves as a singer, and too many conversations revolve around the comparisons between Bush and Anthrax’s original and current singer, Joey Belladonna. Everyone has their favorite Anthrax singer for various reasons and they love to tell you why they are right. It’s a non-winnable argument. It’s comparable to the Van Halen Dave vs. Sammy debate.

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    Joey Vera (Photo-Travis Failey)

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    Jeff Duncan & Phil Sandoval (Photo-Travis Failey)

    Armored Saint also played a couple other songs from their new release, “An Exercise in Debauchery” and “Mess” , which is a personal favorite from “Win Hands Down”. This song really showcased the vocal harmonies of Gonzo Sandoval, Jeff Duncan and bassist, Joey Vera. Vera provided driving bass lines all night while all the while being in perfect sync with Sandoval’s thundering drum beats behind the kit. I know by now that you get it. It was an awesome show put on by Armored Saint and they closed out their set with their first single ever, “Can You Deliver “and then, “ Madhouse” from their debut album, March of the Saint.

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    Gonzo Sandoval (Photo-Travis Failey)

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    Joey Vera & Phil Sandoval (Photo-Travis Failey)

    The Armored Saint show at the Center Stage Theatre in Atlanta gave this fan everything he wanted, except for maybe one thing: a longer setlist. Hopefully they will continue to tour and make a stop in Florida and give their fans what they want……. and that is……. more Armored Saint.

    For tour dates and other information on Armored Saint http://www.armoredsaint.com/

    Setlist:

    Win Hands Down

    March of the Saint

    Nervous Man

    An Exercise in Debauchery

    Raising Fear

    Last Train Home

    Mess

    Left Hook From Right Field

    Reign of Fire

    Can U Deliver

    Mad House

    More Photos From Travis Failey

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    John Bush (Photo-Travis Failey)

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    Joey Vera (Photo-Travis Failey)

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    Jeff Duncan (Photo-Travis Failey)

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    Gonzo Sandoval (Photo-Travis Failey)

    Me & AS
    (Photo-Travis Failey)

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    Phil Sandoval (Photo-Travis Failey)

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