Tag: John Campbell

  • Taking it to a New Level with Pantera and Lamb of God in Tampa

    Taking it to a New Level with Pantera and Lamb of God in Tampa

    All Photos by Travis Failey

    After a phenomenal run of headlining the festival circuit in 2023, a reformed Pantera put together a heavy hitting lineup pairing themselves with Lamb of God to tour the planet.

    One of the stops on their second run of shows was in Tampa on Monday night at Amalie Arena affectionately known as the Oil Can.

    When this tour was announced, I was intrigued by what the attendance numbers would be like and seeing this show was on a Monday night, I thought that might have a bit of an effect on ticket sales and butts in the seats.

    But boy was I wrong. Even though the third level was roped off, the floor was packed along with the first and club levels. It was packed and it was great see that the metal community came out in droves in support of the reformed Pantera.

    I believe many in the audience thought that it was just two bands playing but opening the show was the band Nest from St. Louis and they had to be stoked to be playing to the early crowd.

    Nest consists of Jarvis on vocals and guitars, bassist Tim Haar, and drummer Derek Bonn. Their sound is a combination of metal that is aggressive, raw and a bit noisy with sludge added in with odd timing structures.

    Jarvis describes the band as, “a little bit of everything for everyone and Phil Anselmo said “Out of all of the bands I’ve been hearing lately, I think y’all are the most interesting,”“it’s dire and ugly garage punk that is a breath of fresh air in any music climate.”  He liked them so much that Phil; decided to sign them to his label Housecore records and bring them on their biggest tour of their lives.

    Surprisingly Nest played a ten song set and got a huge pop from the crowd when they played “Cheap Sunglasses” by ZZ Top. Nest is a band that you either like them or don’t but I know for a fact that they made new fans on Monday night and that’s what you want to do as up and coming band.  This tour will be introducing other bands like Child Bite and Snafu later in the year so check Pantera’s website to see who will be in support.  

    The metal community loves Lamb of God. This isn’t a new observation by me or anyone else but it was confirmed once again after witnessing them live for the fifth time.

    In the past it was usually a shorter set for me due to it being on the festival circuit but Monday night was a full onslaught of brutal virtuosity.  The video screens and drop curtain read Lamb of God, and Randy Blythe screamed as the curtain dropped and mayhem began.

    Blue and white strobes pulsated with the yellow logo on the backdrop as the band opened with “Memento Mori.” After Blythe splashed his head and others with water, the opening riffs of the fan favorite “Walk With Me In Hell” commenced. The first major mosh pits opened up and were consistent throughout the night but that sort of goes without saying. There was no slowing down.

    Lamb of God continued with “Hourglass” with all the members of the band moving non-stop across the stage. Blythe mentioned how good it was to see everyone in the seats on a Monday night in Tampa at the home of Death Metal.  

    He dedicated  the song “Ruin” to bands like Cannibal Corpse, Obituary, Deicide and others. He also had the crowd belt out an old school Ric Flair “Wooh” which of course they did.

    Even though this was only the second show of this tour run with Pantera, Blythe sounded great after a few month show hiatus as did guitarists Willie Adler and Mark Morton with just a booming backline of bassist John Campbell and monster percussionist Art Cruz.

    He asked the crowd if they were ready to hear some mother fucking Pantera songs and the crowd roared in response. He said that it was an honor to be on tour with them and dedicated the set finale “Redneck” to Pantera and also Vinnie and Dime.

    Blythe told the crowd to get a huge circle pit going and if you think you are too old, you need to come out of mosh pit retirement and get in there. The security guys had their hands full but thankfully I didn’t see any need for the EMTs.

    After about a 30 minute break a black curtain with “Pantera” in red with floating pink marijuana leaves donned the stage as home videos of Dimebag and Vinnie with the rest of Pantera played on the stages side screens. “Regular People” blasted through the house speakers getting the fans primed for what was ahead.

      As the screens went black and two white silhouettes of Dime and Vinnie were shown, the  curtain dropped and Phil Anselmo raised his arms to the crowd as huge smoke plumes encompassed the stage as “A New Level” opened the 13 song set.

    Anselmo spoke to the crow and said “every fucking note we hit is for Dimebag and Vin” as “Mouth of War began.

    After a brutally heavy rendition of “Strength Beyond Strength” Anselmo stated “Got everyone’s ass out of the house on a Monday night. “It’s just insane man…Looking out and seeing all the generations of Pantera fans” and asked if anyone saw them in the 90’s. He also said that if the youngsters need to know the lyrics then ask one of the old people in the crowd.”

     He then intro’d “Becoming” with Zakk Wylde screaming the opening riffs with his Warhammer guitar. Zakk was great and moved around much more than at the Rockville show. Both Wylde and drummer Charlie Benante are now well versed in the material and have surpassed all expectations as members of the band.

    After another fan favorite and chorus churner in “I’m Broken”, the reformed Pantera went into deep track mode with the super aggressive “Suicide Note Part 2” from The Great Southern Trendkill. Bassist Rex Brown and Benante sounded like they have been playing together for decades as their timing was dead on balls.

    After “5 Minutes  Alone” and the crowd repeater “This Love” Pantera broke out another deep cut in “Floods” as once again, pictures of Dime and Vinnie played on the large video screens. The brooding 7 minute track concluded with a beautiful solo by Zakk  that would have made Dime proud. 

    The song also gave the fans a bit of a break to get ready for the rest of chain of energy that started with “Walk.” Wrestling legend, Fozzy frontman, and Tampa resident Chris Jerico helped out during the chorus with a few pals including Randy Blythe as the yellow spot lights smothered Wylde.   

    Explosions and fire balls encompassed the stage directly to the right and left of Benante then Rex Brown then took center stage as he rang out the opening bass line to “Domination.” Anselmo addressed the crowd asking the fans if they would come back to see them once again as Wylde played the opening notes to “Cowboys From Hell”.

    The pyro was in full effect and it should be as “Cowboys” is so significant in the history of the music we love and another fan favorite.  We though the night was over as the band did the throwing out of picks and sticks to the crowd  but the band returned to perform “Fucking Hostile,” Anselmo mentioned that 99 percent of Pantera fans know and relate to this song.

    It was a perfect ending to this Monday night of metal madness. High speed aggression, horns raised in the air and metal legends taking the crowd back to the beginnings and through the career of Pantera and paying tribute to Dime and Vinnie’s music and memory.   

    The band came out to center stage, took a bow and a few pics then Anselmo took the mic once again. He then asked everyone to join in as they have done in the past to sing “And She’s Buying The Stair Fucking Way To” and dropped the mic for the crowd to scream “Heaven.”

    As the exhausted crowd departed the venue, many were thankful that they were able to see this version of Pantera at this time in their lives. If you were ever a fan of the band, you will love this show as they leave it all on the stage for their departed brothers and all the Cowboys from Hell out in the crowd.

    For upcoming shows and info https://pantera.com/tour/

  • Summer’s Last Stand in Tampa with Slipknot

     

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    Devin “Ghost” Sola Motionless In White (Photo-Travis Failey)

    The second stop of The Summers Last Stand Tour arrived in Tampa at the Mid Florida Credit Union Amphitheatre or “MFCUA” on Saturday night and brought with it a headlining monster in the multi platinum selling Slipknot. If Slipknot was to tour by themselves, this tour would still draw big crowds, but accompanying them would be a revitalized Lamb of God, a reconfigured Bullet For My Valentine, and a quick riser, and one of my personal favorite bands, Motionless In White. Put all of them together and you had a packed house on Saturday night. Not even scorching heat or treacherous thunderstorms would keep the Slipknot fans (affectionately known as “maggots”) away from the venue.

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    Shawn “Clown” Crahan Slipknot (Photo-Travis Failey)

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    Randy Blythe Lamb of God (Photo-Travis Failey)

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    Corey Taylor Slipknot (Photo-Travis Failey)

    The show started promptly at 6 p.m. The sun was shining and it looked like the Tampa area might get some relief from the wettest summer that I’ve experienced in 25 years in Florida. Motionless in White got the crowd amped up early and often with lead singer Chris Motionless leading the goth metal circus. I’ve been following Motionless in White ever since I was turned on to them at the Mayhem Festival in 2012. Their stage performance was the initial draw but their song writing has put them into another class where upward movement is no longer in question.

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    Chris “Motionless” Cerulli Motionless In White (Photo-Travis Failey)

    Chris Motionless draws you into the band with his powerful vocals and presence and the other players are solid and also play a huge role in the stage performance with the gear that they wear. During their set, Chris Motionless changed into an old school Tampa Bay Lightning Jersey and addressed the crowd with “Fuck The Blackhawks!” which got a huge cheer from the fans. Bassist Devin “Ghost” Sola likes to keep the crowd guessing with each tour and broke out a new costume for this tour with a crazy cage like box and a straight jacket. Definitely something you don’t see every day.

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    Ricky Horror Motionless In White (Photo-Travis Failey)

    Some highlights from their eight-song-set were their breakout anthem in “A.M.E.R.I.C.A.,” which received rotation on Sirius XM/Octane, and the title track from their third release, “Reincarnate.” Both of these songs had the audience singing in unison with Chris Motionless, as would be the case throughout the entire evening.

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    Chris “Motionless” Cerulli Motionless In White (Photo-Travis Failey)

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    Matthew Tuck Bullet For My Valentine (Photo-Travis Failey)

    Next up would be the equally heavy but more melodic thrash based, Bullet For My Valentine. The Wales based quintet opened with a new track in “No Way Out” from their upcoming August release in “Venom.” It was obvious that they were leaving everything on the stage on Saturday night especially when they played the Guitar Hero track “Scream, Aim & Fire.” Guitarist Michael Paget impressed many with his playing abilities that are reminiscent of Dave Mustaine and other axe legends. His performance on stage musically and physically is something to behold and singer and guitarist Matthew Tuck’s command of their songs and the crowd put them in league with the other veteran bands on this bill. Tucks vocals are predominantly clean and crisp and project well, which the women in the crowd seemed to appreciate as they harmonized with Tuck.

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    Jamie Mathias Bullet For My Valentine (Photo-Travis Failey)

    They finished their set with two of their most popular singles in the melodic “Tears Don’t Fall” and a huge video single in “Waking The Demon.” With drummer Michael Thomas along with their new bassist in James Mathias providing the backbone, Bullet For My Valentine provided their fan base with an exceptional performance and as I talked to the crowd after their set, BFMV gained new fans along the way.

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    Michael Paget Bullet For My Valentine (Photo-Travis Failey)

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    Michael Thomas Bullet For My Valentine (Photo-Travis Failey)

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    Randy Blythe Lamb of God (Photo-Travis Failey)

    Randy Blythe and the members of Lamb of God not only put on a memorable performance but provided me a whole new respect for their band. I had never been to a Lamb of God show before as their brand of metal is a little extreme for my taste, but for the four songs that I was able to see due to the now pouring down rain with a backpack full of camera gear, it was amazing. Starting with “Walk With Me In Hell,” Blythe never stopped moving. From jumping off the riser to head banging and thrashing about all the while not missing a beat vocally, Blythe didn’t need to engage the audience as their music directly provided it.

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    John Campbell Lamb of God (Photo-Travis Failey)

    Moshing ensued for the first time tonight with mass crowd surfing also taking place with video screens emblazoned in imagery of falling down buildings and of soldiers struggling in battle. They were a perfect match for the music that Lamb of God was performing. Blythe and his bandmates, bassist John Campbell, drummer Chris Adler, and guitarists Mark Morton and Willie Adler looked like they were ready to resume kicking ass and taking names after a hiatus due to the Blythe situation in Prague and also with the release of his book (Dark Days.)

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    Randy Blythe and Mark Morton Lamb of God (Photo-Travis Failey)

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    Randy Blythe Lamb of God (Photo-Travis Failey)

    They played a ten-song-set that spanned their entire career. From the early days with songs off the albums, As the Palaces Burn and New American Gospel and “Stir Echoes” and “512,” from their most recent release in VII: Sturm Und Drang.

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    Mark Morton Lamb of God (Photo-Travis Failey)

    Lamb of God has a formula and they stick to it and they don’t care about building their base. I compare them to Slayer and Pantera and I see and hear a lot of Phil Anselmo in Randy Blythe. They both have gone through trials and tribulations in their lives and continue to make quality music. Do I think Lamb of God has played as big a role in the heavy metal timeline as Pantera? Probably not, but a lot of hardcore and metalcore bands continue to cite them as their main influence, and if you go see the bands on the main stages at the Vans Warped Tour, and at Rockstar Mayhem Festival, their influence is undeniable.

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    Randy Blythe Lamb of God (Photo-Travis Failey)

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    (Photo-Travis Failey)

    As Slipknot’s crew was setting up their elaborate stage show, there was an eerie calm before the Slipknot storm. The rain was starting to slow down but it had already done its damage. Actually the fans that were up on the lawn did the damage as the usually lush grass turned into a huge mud slide down the hill and then AC/DC started playing over the sound system and everyone gravitated back to their viewing area. “Running with the Devil” by Van Halen really got the crowd bouncing with anticipation then Slipknot dropped the lights and ”XIX” played as the curtain fell.

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    (Photo-Travis Failey)

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    Corey Taylor Slipknot (Photo-Travis Failey)

    Corey Taylor and Slipknot exploded onto the stage like the pyrotechnics behind them, donning their trademark masks and played a perfect combination of songs new and old throughout the night. Taylor once again proved why he is so successful and diverse. His talent seems to be limitless and he can adapt to any playing situation. From playing acoustic one man shows to doing a duet with Lzzy Hale on “Hunger Strike” at the AP Awards last week, to fronting one of the biggest bands in the world in Slipknot, he deserves the accolades he receives. Taylor’s voice cut from the front of the stage to the back of the lawn like a razor in a blender mesmerizing the packed house of fans. Chris Fehn and Shawn “Clown” Crahan provided thunderous beats on the toms attached to the sizzorjacks as Sid Wilson bashed into everything when he came down from the caged riser containing his turn tables and keyboard.

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    Shawn “Clown” Crahan Slipknot (Photo-Travis Failey)

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    Sid Wilson Slipknot (Photo-Travis Failey)

    They performed a seventeen-song-set full of fan favorites and deep cuts to satisfy the maggots new and old. Amongst them was the opener “Sarcastrophe,” “Pyscosocial,” and two of this year’s staples on Sirius/XM’s Big ‘Uns, in “The Negative One” and the very melodic and mellower track in “KillPop.”

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    Chris Fehn Slipknot (Photo-Travis Failey)

    As I watched Slipknot, I took a step back at stared at the bombastic scene in front of me. The overwhelming choreography and the nuances of the individual movements of the performers are timed perfectly to get the most response from the crowd. It’s a performance that fans of the theatre and other artistic outlets should attend at least once even if they don’t care for the horned demon figure lurking over the crowd.

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    (Photo-Travis Failey)

    Even with the two significant changes in the band in the additions of drummer Jay Weinberg and bassist Alessandro Venturella, Slipknot proved once again that they are a well oiled machine. They’ve always given their fans everything and more and they did it again at this year’s Summer’s Last Stand Tour.

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    Corey Taylor Slipknot (Photo-Travis Failey)

    For more dates for the tour: http://www.slipknot1.com/home

    For complete set lists:

    http://www.setlist.fm/setlist/lamb-of-god/2015/midflorida-credit-union-amphitheatre-tampa-fl-7bf61a04.html

    http://www.setlist.fm/setlist/bullet-for-my-valentine/2015/midflorida-credit-union-amphitheatre-tampa-fl-7bf61af8.html

    http://www.setlist.fm/setlist/slipknot/2015/midflorida-credit-union-amphitheatre-tampa-fl-63f61a03.html

    http://www.setlist.fm/setlist/motionless-in-white/2015/midflorida-credit-union-amphitheatre-tampa-fl-63f61af3.html

    More Pics by Travis Failey

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    Devin “Ghost” Sola Motionless In White (Photo-Travis Failey)

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    (Photo-Travis Failey)

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    Jim Root Slipknot (Photo-Travis Failey)

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    Matthew Tuck Bullet For My Valentine (Photo-Travis Failey)

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    Ricky Horror MIW (Photo-Travis Failey)

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    Michael Paget Bullet For My Valentine (Photo-Travis Failey)

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    Chris “Motionless” Cerulli Motionless In White (Photo-Travis Failey)

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    (Photo-Travis Failey)

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    Corey Taylor Slipknot (Photo-Travis Failey)

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    Matthew Tuck Bullet For My Valentine (Photo-Travis Failey)