Tag: Orlando

  • W.A.S.P. Stings The Plaza In Orlando With The Album One Alive Tour With Support From Armored Saint

    W.A.S.P. Stings The Plaza In Orlando With The Album One Alive Tour With Support From Armored Saint

    November 24, 2024 | The Plaza Live – Orlando, FL

    All Photos By Randy Cook & Travis Failey

    Almost two years to the day of my first W.A.S.P. concert, the same killer twin bill lineup returned to the same venue for what was a show of the same epic proportions as the first time. With 2024, marking the fortieth anniversary of the release of W.A.S.P.’s debut album, the band played the album in its entirety on their North American tour.

    Supporting W.A.S.P. once again is Armored Saint with original opener Death Angel off the bill due to member availability issues and Unto Others taken off the tour for reasons that aren’t transparent.  Both W.A.S.P. and Armored Saint were formed in 1982 collectively giving us almost eighty years of rock history that we were in store for this evening.  

     W.A.S.P. was formed in 1982 and was a big part of the early 1980s Los Angeles heavy metal scene. My friends and I discovered them from the band’s wild and outlandish video on MTV in “I Wanna Be Somebody” we fell in love with the band’s sound. In my early formative metalhead years of the mid 1980s, that first W.A.S.P. CD was on constant replay.

    “Lead vocalist Blackie Lawless says: “It was an angry record made by an angry band. It was a record that not only reflected the attitude of the band members who made it, but also a record that reflected its time.” This record became a central piece of the 1980s metal scene and remains one of the best metal debut albums of all time.”[1]

    As Judas Priest’s “Delivering The Goods” played over the house speakers Armored Saint took the stage with Gonzo Sandoval lifting his arms up in the air to salute the fans.

    Armored Saint opened the show with “End of the Attention Span” off their most recent album, Punching The Sky and their tightness was evident from the first note. They have had the same lineup since 1990 with the band taking an extended break when John Bush was with Anthrax.

    They played a flawlessly executed fifty minute ten-song set spanning eight of their thirteen studio releases. After they finished “Raising Fear” the “Saint” went into “The Pillar” which they haven’ t played live since 2015 at Hellfest in France.

    After “March of the Saint” the band broke it one of my favorite songs in the catchy and crushing “Left Hook From Right Field off of 2010’s La Raza which is a very underrated Saint album.  John Bush talked about the band adopting the dual guitar attack that influenced them from bands like Judas Priest, Iron Maiden and Thin Lizzy.

    For me, it adds that extra layer of song complexity that pulls me in as a fan. This sound was shown in spades during “Win Hands Down” with guitarist Jeff Duncan and Phil Sandoval sharing riffs and leads on the center stage riser.

    Gonzo Sandoval’s thunderous drums along with Joey Vera’s booming bass carried the back line during “Can You Deliver” as John Bush went up into the balcony to sing to and with the fans. You can feel the passion he exerts as he is delivering the lyrics and interacting with the crowd.

    He delivers it every night with energy and passion, now up close and personal for those in the balcony section before making his way to the photo pit section to once again get in the faces of the bands fans.

    John went back on stage to join his bandmates in an fantastic rendition of “Reign of Fire” off arguably one of the greatest metal albums released in Symbol of Salvation. The song brought their set to a rousing close and a loud cheer from the audience, which by now most of the sold out crowd was in attendance.

    Elvis took the stage before W.A.S.P. and all of us photographers took a minute to get a photo of him. Elvis is the infamous skeleton microphone stand used by W.A.S.P.’s lead vocalist and rhythm guitarist Blackie Lawless.

    After additional security that was completely not needed was added along with an unnecessary warning from the venue staff of the “no moshing” rule, soon the house lights went out as The Door’s “The End” played through the house speakers.

    As this concluded, a mix tape of W.A.S.P. songs played as the band took the stage and with the crowd back at full roar as the first notes of ‘I Wanna Be Somebody’ struck and we began our journey back to 1984 and W.A.S.P.’s debut studio album.

    Each song on this legendary album is someone’s favorite song and literally the reason why they came to the show this night. That was beyond evident in the faces in the crowd that I saw as the show progressed along.

    Each song has a lot happening on stage as you try to take it all in. Bassist Mike Duda wanders over to the side backdrops that are adorned with skulls hanging from chains and he hits them to send them into a spinning frenzy while lead guitarist Doug Blair is wailing on a sweet solo while trying to see the ferocity of Blackie’s facial expressions behind Elvis.

    Many of these songs haven’t been played since the mid-80s including “B.A.D.” “School Daze” &  “Tormentor” and sounded fantastic live.

    At the album’s conclusion with my favorite from the album in “The Torture Never Stops”  that includes one of the greatest lyrics ever written in “Hopes the rope that keeps you tied in knots” there was a short few minute intermission as the stage switched over to the circus theme of the last tour.

    Chants of “Blackie! Blackie! Blackie!…”preceded a medley of ‘Inside the Electric Circus / I Don’t Need No Doctor / Scream Until You Like It”’ to kick off the second half of the show and then their staple cover of ‘The Real Me’ by The Who.

    A highlight was ‘The Headless Children’ with the World War 2 imagery depicted in the background as the song was played. Very powerful and lead into ‘Wild Child’, with Blackie playing the opening riffs and verse solo under a spotlight next to Elvis and then ‘Blind in Texas’ to close out a fantastic show to a very satisfied crowd.

    The band sounded fantastic and Blackie especially sounded great and was able to hit the high parts seemingly with ease with Mike Duda helping out. Many who bashed Blackie for singing to tracks which was evident on the last tour would be remiss to attack him for this on this tour as I watched intently and saw it very rarely if at all. 

    I also have to give the guitarist Doug Blair and drummer Aquiles Priester big props as they were visually and sonically spectacular during the set.

    The tour continues in the United States until mid-December and then continues with a couple of dates in South America and then continues in Europe starting in April of 2025. I cannot stress enough for you to see this tour if possible, so get your tickets today and go see these rock legends and get back into an old “School Daze” one more time.


    Tickets are available here:

    https://www.waspnation.com/tour

    W.A.S.P. setlist – November 24, 2024 – The Plaza Live, Orlando, FL:


    [1]https://blabbermouth.net/news/w-a-s-p-to-perform-entire-debut-album-on-fall-2024-tour-death-angel-to-support

  • “BKFC 53 Breaking It Down At Olympia!!!”

    3NOV2023

    Orange County Convention Center in Orlando, FL

    All Photos by Jordan Raiff

    Bare Knuckle Fighting Championship returned to the Orange County Convention Center in Orlando, FL on November 3rd. Marking the return of BKFC Middleweight Champ, and FL fighter David Mundell, this was a packed card and held in a smaller more personal section of the Olympia showcase.

    With scale issues causing issues for Julian Lane, and Crystal Pittman’s opponent disrespecting herself, Pittman and BKFC as a whole. As a fighter, coming in more than 20 pounds overweight is inexcusable. You know when you aren’t making it, and she seemed to think BKFC would just roll with it. After weigh-ins were done, and a catchweight agreed to, BKFC officials still scrapped the bout. Hopefully, Pittman will get to compete before the end of 2023.

    Opening the prelim card was Ja’Far Fortt versus Aaron Sutterfield. With a five-inch height and reach advantage, Sutterfield wanted to bring his advantages to the forefront. Getting into his second fight, he got a wake-up call for his first fight. Fortt is 2-0 in BKFC and he has been a huge force in the sport since he started.

    Landing a tremendous overhand right, Fortt dropped Sutterfield in under 30 seconds. Unable to properly get his footing, and balance the fight was done. There was no control from Sutterfield at all, Fortt simply dominated, even driving him back from the scratch line to start.   Winner: Fortt TKO in the 1st Round

    Jeff Janview and Devonte Jeffrey were left to follow such a great TKO. Both making their debut, Jeffrey came out ultimately more aggressive and focused. This energy was brought out by some simply devastating shots. As the two traded shots, Jeffrey seemed to lose his pace for a moment, and Janview locked right in on that. Letting the hands fly, he sent Jeffrey stumbling, but not quite down. 

    In the second round, Jeffrey came out stiffer. Janview capitalized on this and started pinpointing his shots. With fury and a fierce attack, his overhand right hammered on Jeffrey’s forehead, and made him drop his head to protect himself. Backed into the ropes, he couldn’t move and was stuck bent over. With no choice but to call it, the ref ended the fight with some mercy for Jeffrey. Winner: Janview by TKO in the 2nd Round

    In the third fight of the prelims, Michael Larrimore took on Justin Watson. Already suffering a prospects loss, Watson seemed timid about going 0-2. Meanwhile, the confidence from his first BKFC victory back in July had Larrimore incredibly anxious to get the win.

    Hitting Watson so hard he got lifted at one point, he kept that pressure up and showed that his defense simply lacked what it takes to last. Taking a knee after a liver shot, Larrimore had an easy TKO as Watson couldn’t pick up the count at 9 like he thought he could. Winner: Larimore by TKO in the 1st Round

    As the broadcast switched over to the pay-per-view portion of the night, the BKFC audience snagged a ton of free swag. These first-round TKOs make it difficult to eat up the full hour on YouTube’s Free-View and to let the late fans have time to grab a drink as they enter. The fans enjoyed this and had some great give-and-take with Brian Soscia.

    Beginning the PPV was Dagoberto Aguero making his BKFC debut, and 3-2 Chancy Wilson. These 125lb fighters may be light in weight, but the power behind their punches is incredible. Off the start, both fighters seemed to be feeling each other out, with some excellent footwork.

    While neither fighter took a distinct edge, Aguero started dog-walking towards Wilson to taunt him, a move Wilson didn’t have a good answer for before the bell.

    The second round was starkly different, with Wilson coming out of his corner and getting in Aguero’s face. Seemingly feeling disrespected following the charge, Aguero kept the distance, and while he ate and traded some shots, Wilson started responding to the fans, and talking something to Aguero that prompted a series of middle finger responses. Now fighting more in the clinch, Aguero found this was still his game.

    Round three opened with Wilson trying to take advantage of his experience and using his speed to keep the fight close. While using his speed to try and help with this, Aguero timed his attacks, forcing Wilson to bring it back in. This gave Aguero the opening to land a beautiful shot to check Wilson’s chin.

    Crashing to the mat, he didn’t have a chance to get back to his feet. After the 10-count, the docs and medical officials raced to the ring. After 30-45 seconds, Wilson got up, with Aguero checking on him and raising his hand to the roar of the crowd. Winner: Aguero by TKO in the 3rd Round 

    Mike Heckert and Scott Lampert made their BKFC debut. With a 5-inch reach advantage and 2 inches of height, Lampert seemed poised to take an easy victory. Given the sheer size and “combat-ready” build of Lampert, he looked like he could take the hits and keep coming.

    Both coming out strong, Lampert slipped on the canvas and found himself crashing down multiple times in the opening round. Seemingly disappointed in himself, Lampert kept walking right into knockdowns and being thrown down in the clinch. Just before the end of round Lampert crashed again and took Heckert down with him.

    Coming off of the stool, Lampert seemed unable to get it together. Slipping and falling down quickly, Lampert seemingly had no clue where he was. The intelligent defense was gone, and his own corner recognized it.

    Waiving it off, the doc climbed the apron and waived the fight off. Ending as Lampert yet again fell down, it’ll be interesting to see how he recovers and if he can come back to BKFC. Heckert’s dominant performance is a testimony to his work, and the caliber of fighters the Tampa area is churning out. Winner: Heckert by Disqualification (intentional headbutt) in the 2nd Round

    Nathan Rivera made his BKFC debut against Jaymes Hyder, who wanted to avenge his loss back in August during BKFC 49. Showing uncertainty with his footwork, Rivera seemed ready to get some punches in. As Hyder fought for defense, he suddenly froze. Looking as if he broke something, Hyder became a statue. Seemingly like time stopped for him, Rivera took advantage and landed some vicious strikes to the head and body of Hyder.

    Trying to fight back, he just couldn’t seem to get back in the pocket before Rivera sent him to the ground, where he would stay. Winner: Rivera by 1st Round TKO

    Diego Romo and Ravon Baxter were up in the seventh bout of the night. These two light heavyweights had a solid and intense faceoff, and that carried over into the opening round. With Romo clearly the aggressor, he was eager to make his mark in his debut in the promotion.

    Baxter being 1-1 gave him the patience to stick the pocket and push the fight his way. Frequently tying up on the ropes, Baxter was able to keep Romo off balance through the round. 

    Round two had Romo leading the aggression, and Baxter used this to his advantage. Timing the aggression of Romo, Baxter dropped him with a solid left. Recovering quickly, he got onto his feet and kept the attack up. Again, frequently tying up, the fighters each spent a good chunk of time leaning on one another and the ropes. 

    The third round saw Baxter using the ropes almost to his advantage. By keeping Romo on the move, and only having to pivot, Baxter found a rhythm that allowed him to build some lazy but slightly effective offense. It also gave him comfort and energy savings that benefit his fight style. Many of the fans were left questioning the fight, with many yelling for more action.

    In round four both fighters were simply running on heart and heart alone. Getting into the clinch for most of the round, the ref kept having to break them up.

    Romo took a few solid strikes to the jaw and answered back with some devastating body shots. Baxter was able to clinch up but slipped as he was hit. Ruled a knockdown, he recovered and finished the round somewhat strongly.

    In the fifth and final round, Romo seemed to get a fire lit under his ass. Realizing he was likely down on the cards, he started motioning for Baxter to bring the fight to him. Clearly exhausted, the two fighters leaned significantly on one another.

    While not the level of damage we saw in the original Rocky movie, these two stood and traded blows as best they could as the fight ended. As the first (and only) fight to go the distance all night, the fans were excited for the end.

    Going to the cards, many in the audience were chanting “One more round!!” as it echoed over and over across the arena. Given the promotion’s rule that fights should be afforded a bonus round when there was a draw, many in the audience were left questioning what happened as “Mr. Live Worldwide” Jeff Houston announced the fight was a majority draw. Romo took one judge’s card by a point, and the other two judges ruled it a draw. Winner: Majority Draw

    Jonathan Miller and Sawyer Depee took the squared circle next in the featured Cruiserweight battle of the card. With Depee having a sizeable height advantage, Miller kept trying to shrink himself and charge in to close the gap.

    Bullrushing in, Depee kept sidestepping and punching him while driving him down towards the mat. Trading shots when they lacked up, Miller stopped ducking when he saw an opening.

    As the round came towards a close, Miller was stunned, with Depee dropping him right as the bell sounded. Unable to recover Miller stayed down through the announcement of Depee as the winner too. Winner: Depee by KO to end the 1st Round

    The 1-0 Turkish superstar Murat Kazgan and “Let Me Bang” Julian Lane were up in the co-main event. Losing 20% of his fight purse following some true bush league scale problems, Lane came in at 170, with Kazgan at 166.

    Determined to follow up his bloodthirsty response to Kazgan’s headbutt at the weigh-ins, Lane came out with a plan. The plan? Simply to keep him tied up and work that patented banging clinch attack. While not landing significant damage, the two traded shots. Cheers of “USA!!” and “Istanbul!!” filled the room off and on during the fight.

    The second round was a more violent and unpredictable part of the bout. Kazgan landed a powerful blow to Lane that I could hear but not see or photograph, thanks to people standing in front of the media section. Lane got back up quickly, rating the knockdown more like a slip. Busted open (as usual for Lane) the blood dripping down seemed to wake him up. 

    Round three saw both Lane and Kazgan in the clinch frequently, with both fighters showing life, but not accurate or significant shots. As the ref kept pulling them apart, like magnets they kept linking back up and leaning on one another. Lane used this time to maneuver his head around as his head rubbed in a bit a worked the cut.

    This traditional and classic style of infighting was beautiful, and Lane targeted the hell out of Kazgan’s left eye. Again, heavily blocked from seeing the end, the eruption of the crowd told the tale of their excitement. Surviving the round, the doc looked at his eye and determined he could no longer effectively see to defend himself. Winner: Lane by Doctor Stoppage at the end of the 3rd Round

    Taking to the squared circle in the main event, David Mundell defended his 175lb Middleweight championship title against the 3-0 Doug Coltrane. Coming out an inch taller and with four inches more in reach, Coltrane moved more like a giraffe on ice skates than a challenger for a world title.

    Mundell tested the waters and figured out a game plan, and seemed to have an answer. Working with a squatted stance, Mundell showed Miller a prime example of how this is supposed to look. Making Coltrane slip on his feet, as well as knocking him down, Coltrane was lucky to survive the round, but still pieced together an answer as the bell rang.

    Going into the second round, Mundell stuck to working the body. As Coltrane grabbed at Mundell, he couldn’t seem to grab him. As one person described it, this was like someone trying to “rip out a mighty oak stump, but the damn thing is rooted so deep the crane tipped over instead!!”

    A few exchanges of volleys later, Mundell forced Coltrane to double over in pain before dropping him with a devastating right hook. Unable to find his feet, much less the count Coltrane was done for.

    Thought to be a minor challenger, after being announced the winner, Mundell expressed his disappointment with paper challengers. Calling out Mike Perry (who was ringside) the two look to be squaring up soon!! Winner: Mundell by KO in the 2nd Round

  • Tesla Shines At Night Number Two at The House of Blues

    Tesla Shines At Night Number Two at The House of Blues

    Photo-Randy Cook

    Fresh off two performances on the 2023 Monsters of Rock Cruise, hard rockers Tesla took over the House of Blues in Orlando for two nights, playing to a sold-out audience on Friday, May 5th followed by a nearly sold-out show on Saturday, May 6th. I attended the Saturday show with a good friend and concert photography mentor, whose behind the lens Jedi skills have earned him the nickname Lord Nikon.

    We had a spirited and entertaining music-related conversation enroute to the venue based around the two Tesla shows I had just seen onboard the cruise and how well they were attended.

    Well that carried over to their two dates at the HOB as Friday was sold out and from the looks of the line on Saturday when we arrived, this was the case again or darn close.

    Photo-Randy Cook

    Opening for Tesla was Kurt Deimer and sadly, I was not able to enter in time to take photos of him and his band but something he mentioned in between the songs caught my attention. His spoken introduction to a song written during Covid questioned why everyone was so hateful towards each other? His point was that we should all be nice to each other.

    My thought was that this should not have to be kept being said in the world today, it should be an unspoken rule. The band covered “Have A Cigar” by Pink Floyd and that was the song of theirs that stood out to me.

    Photo-Randy Cook

     Fastest Land Animal was up next and I noted they had a twin guitar attack just like our headliners for the evening. I thought their sound had some solid rhythms and grooves and at least two of their songs after my time down in the photo pit had my head nodding to some crunchy riffs and leads.

    Photo-Randy Cook
    Photo-Randy Cook

    Singer “Screamin” Jack Novack tossed out tambourines to fans at various areas of the crowd and had them join in on creating the band’s sound. I had noticed the pile of tambourines stacked around a microphone stand and wish that would have happened earlier in their set, as I can picture tambourines flying in my photos.

    Photo-Randy Cook
    Photo-Randy Cook

     In the minutes leading up to the main event for the evening, I took note of how much the crowd was singing along with the in-between set songs. From what I experienced from varying locations around the venue for Tesla’s set, the sing along never stopped, if anything it only got louder and more people joined in. The crowd was also multi-generational with grandparents and parents bringing their young ones to the show who were also singing their lungs out. Its pretty special sight to see and realize that kids are enjoying rock and just not pop music these days.

    Photo-Randy Cook
    Photo-Randy Cook

    This would be my fourteenth time seeing Tesla and the third time in the past six days as I was one of the lucky ones to have sailed on this year’s Monsters on Rock Cruise.

    This is a band that I have been a fan of since my discovery of their music with their debut release “Mechanical Resonance” back when MTV played music videos. My first time seeing them live was in 1989 and this (as well as every other prior show of theirs) is a stroll down memory lane for me. I appreciate their straight-up solid rock n roll with no frills – combined with the passion of each band member’s delivery and interaction with the fans.

    Photo-Randy Cook

    Lord Nikon and I both mentioned after the show how there was very little chit chat in between songs, and not as a slight to talk to us in attendance, it was more to fit sixteen songs into a ninety minute time slot. I would venture to say that every song played this evening was the favorite song of someone in attendance as I saw continual evidence of air guitars, air drums and many people putting their head back to try and hit the same note and length as lead singer Jeff Keith.

    Photo-Randy Cook
    Photo-Randy Cook

    I shared the photo pit with a trio of incredibly skilled photographers who I am thankful to also call friends. We had plenty of room to move around during our three-song allotment as Tesla brought the crowd to a roar starting off with “Change in the Weather” and then rolling right into their gateway song for me, “Modern Day Cowboy.” Our last song up front was “Time to Rock” and I was thankful we had beautiful lights to work with and very little piped in smoke.

    Photo-Randy Cook

    After my time down front I made my way up to the balcony hoping to find a decent view of the band but with the crowd as full as it was, that proved to be a challenge. I was over in the corner near one of the stage lights and became quick friends with a group of people who were rotating out those in their group to the balcony rail.

    Photo-Randy Cook

    One of them noticed my media credential around my neck and asked if I had gotten any good shots? I replied “absolutely!” I showed a couple of photos that I had already copied to my phone and then they put me in their rotation club in exchange for me taking their family photo after the show. I got to experience another perfect unobstructed view of these rock titans that I grew up with.

    Photo-Randy Cook

    As the set list progressed and “The Way It Is” hit my ears, I closed my eyes for a few moments of self-reflection. These songs take me back to life events that have such thought provoking emotion within me and to where I once was. I then opened my eyes and appreciate where life has taken me and joined the crowd in the sing along.

    I would say the exact same thing for the song “What You Give”, but it was my turn at the rail and with this view, there would be no eyes closed reflecting on my past.

    Photo-Randy Cook

    During “Miles Away” which was a late addition to the set, the twin guitar attack of Frank Hannon and Dave Rude, and bassist Brian Wheat and drummer Steve Brown holding down the rhythm section, the band sounded as crisp ever.

    After “Miles Away,” Tesla segued into the fabulously gut-wrenching “Love Song.” To quote an old Sam Kinison joke, this is the song that makes you think about the girl that broke your heart and made you say “…make that TWO fifths of Jack Daniels!” For the third time in the past six days I am man enough to say that hearing this song live gave me goosebumps.

    Photo-Randy Cook

    After tearing our hearts out with what truly is a beautiful love song, “Little Suzi” brought the crowd’s feet back to life and brought the main set to an end with a roar of approval from the crowd. The band concluded the evening with their famous rendition of “Signs” by Five Man Electrical Band and truly brought the evening and their two night stint to a fantastic conclusion.

    Photo-Randy Cook

    With how strong this band is live they truly are still kicking ass and I encourage anyone and everyone to go and see them live at least once. I can adamantly say I look forward to whenever the future brings me my fifteenth Tesla show. I did end up taking the family photo for the gracious group and they were a lot of fun to rock out with. I hope they do end up using that picture as the family Christmas card photo.

    Tesla will be back on the road after taking a brief break with tour dates all over the country.

    For a list and additional info on the band, head to https://teslatheband.com/tour/

    \m/

    Tesla set list for Friday, May 5th 2023:

    Lady Luck

    Modern Day Cowboy

    Hang Tough

    Time to Rock

    Heavens Trail (No Way Out)

    Miles Away

    Changes

    Were No Good Together

    Love Me

    Call It What You Want

    What You Give

    Song & Emotion

    Edison’s Medicine (Man Out of Time)

    Love Song

    Little Suzi (Ph.D. cover)

    Encore:

    Signs (Five Man Electrical Band cover)

    Tesla set list for Saturday, May 6th 2023:

    Change in the Weather

    Modern Day Cowboy

    Time to Rock

    Heaven’s Trail (No Way Out)

    The Way It Is

    Shine Away

    Changes

    Pvt. Ledbetter

    Lazy Days, Crazy Nights

    Love Me

    Call It What You Want

    What You Give

    Miles Away

    Love Song

    Little Suzi (Ph.D. cover)

    Encore:

    Signs (Five Man Electrical Band cover)

  • BKFC Brings Their Action-Packed Card Back To Orlando!!!

    BKFC Brings Their Action-Packed Card Back To Orlando!!!

    Photo-Jordan Raiff

    Bare Knuckle Fighting Championship returned to the Caribe Royale in Orlando, FL on November 5th. With a six-month gap since their last visit to the theme park destination of Florida, the room was jam-packed with fans ready to see these warriors duke it out once again!! This raw segment of combat sports is like nothing else in the American market, and they have grown by leaps and bounds over the last four years.

    Photo-Jordan Raiff

    Opening the prelim card were Tony Murphy and Shane Stapp. These two jumped right into the action headfirst and gave the fans a great example of what BKFC is all about. Testing each other with fierce aggression, Murphy found the button on Stapp quickly. With his balance a bit off, and seemingly lacking focus, Stapp looked like he hadn’t properly recovered from his weight cut. Murphy landed a clean shot on Stapp’s chin that sent him crashing to the canvas. Unable to recover Murphy was able to secure a quick KO. Winner: Murphy KO in the 1st Round

    Photo-Jordan Raiff

    Even on the prelim portion of a fight card following a great KO is incredibly difficult. Christopher Cornelius and Jafar Fortt entered the squared circle looking to do just that. Cornelius looked uncertain of his capabilities as the fighters were being introduced. While nerves often help a fighter find that focus, it, unfortunately, left him open for a three-piece from Fortt. These vicious hits were just too much for Cornelius as he just couldn’t find his way back up. Winner: Fortt by KO in the 1st Round

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    In the third fight of the prelims, Brandon Allen and Josh Marer made their way to the ring. With the flow of the other opening bouts, many expected another early knockout. These two chose to go more traditional and feel one another out. Marer looked to work the ribs but slipped himself off balance quickly. Despite getting back up, Allen pushed him back to the canvas. On the way down Marer knocked his face on the canvas and busted his right eyebrow open. While he was able to get back up, it was clear that he had been damaged, and was rocked for the rest of the round. 

    Photo-Jordan Raiff

    Round two brought about much of the same as the first. Allen was about to work over Marer cleanly and keep him off balance. This lack of balance once again took him to the canvas. Slow to recover, it seemed like this second knockdown woke him and his legs up. Marer was able to land some tremendous shots on Allen before the end of the round, but he couldn’t take him off his feet.

    Photo-Jordan Raiff

    The third round didn’t get very deep before Allen dropped Marer yet again. This knockdown took Marer back out of things. After fighting his way back to his feet, Marer kept falling down or off balance as he attempted to throw everything but the spit bucket at Allen. While some of these shots landed, there weren’t many. Allen was able to land some consistent counter-punching, and he send Marer back to the canvas again. Clearly struggling to compose himself, the ref waived off the fight despite Marer’s objections. Winner: Allen by Corner TKO in the 3rd Round

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    As the broadcast switched over to the pay-per-view portion of the night, the BKFC bombshells were highlighted by hype man, interviewer, and entertainer extraordinaire Brian Soscia. Unlike with boxing or anything else, he brings in years of experience in working a crowd from professional wrestling, and he got them worked into a frenzy as the PPV went live. Surprisingly, the crowd seemed more amped for the free merch than the bombshells who were throwing it out with Socia. 

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Getting the PPV to start on the right foot is absolutely crucial. This is where people call their buddies to remind them to buy the event, so Jonathan Miller and Stephon Reese took the challenge to heart. These two heavyweights were a bit unsure of working their way in, and looked to brawl in the clinch anytime they got close enough to tie up. Given the fact that both were making their BKFC debut, it wasn’t incredibly surprising to see this.

    Reese worked intensely to slip Miller’s stiff shots but got caught with a booming left. This shot seemed to nearly cave his face in and sent him down quickly. With Reese unable to recover, Miller earned a great KO and almost certainly another fight in BKFC soon!! Winner: Miller by KO in the 1st Round 

    Photo-Jordan Raiff

    Ryan Reber and Jack Grady made their return to the squared circle, both eager and ready to go. During their faceoff at the ceremonial weigh-ins, Grady showed incredible intensity in his dedication to trying to intimidate Reber. This kind of aggression is usually the sign of someone who isn’t all there, or who is so scared they cannot help themselves. Grady brought that same intensity to the fight. This led to him throwing unbalanced shots and headbutting Reber any time they tied up. As the round ended he received an admonishment for headbutting, after already getting one warning. Reber almost knocked him down as the bell sounded, but Grady escaped.

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Round number two brought about a total change in how Grady was attacking. He kept pressing Reber towards the ropes and he kept throwing inside shots and headbutts. This kind of action not only goes against the rules, but it’s something completely unorthodox in BKFC. With another clear headbutt, the ref stopped the fight. After some deliberation, the fight was deemed over. Naturally, Grady objected, and Reber approached him, with both middle fingers flying high at Grady. 

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    In what can only be described as something similar to a cocaine-fueled attack, Grady charged him and attempted to turn this into an MMA bout. With everyone from Brian Soscia to BKFC President David Feldman, and even Julian Lane hopping in to break up the fight, Grady was eventually escorted from the ring so Reber could get his due, and Lane was escorted from the building. If BKFC wants to continue being taken seriously, people like Grady will need to be banned from the sport. Winner: Reber by Disqualification (intentional headbutt) in the 2nd Round

    Photo-Jordan Raiff

    JR Ridge and Chancey Wilson squared up next. These two are a stark contrast to the fighting style of Grady. Well-established professionals in and out of the ring, these two came out energetic, and battled towards and against the ropes. Ridge used his aggressive energy to keep Wilson pinned against the ropes, with Wilson able to escape from any serious damage by sheer luck. 

    Photo-Jordan Raiff

    Round number two saw Wilson getting himself tangled up in Ridge’s web yet again. The ability to work the inside and use his head movement to his advantage allowed Ridge to keep Wilson working from the clinch, even with the ref separating them rather frequently. This tactic slowed down the pace of the fight, and with both fighters looking a bit exhausted, the round wasn’t quite as action-packed as the first.

    Photo-Jordan Raiff

    The third round was like a whole different fight. Wilson started finding his range and kept Ridge at bay. By keeping the distance, he was able to land some incredibly clean shots. This distance made it tougher for Ridge to work his way inside and get strikes, but he still found a way to get in there. Wilson kept working the jab and an overhand right, eventually nailing a solid shot that rocked Ridge a bit and knotted up his left cheekbone. Keeping himself going, Ridge stayed on his feet and both fighters finished the bout strong. 

    Photo-Jordan Raiff

    Going into Round four, saw even more aggression from both fighters. Inspired by the blood on the left side of Ridge’s head, Wilson started throwing heat sinkers that were peppering Ridge. At one point Ridge was nailed squarely in the nose, with blood pouring forth almost instantly. This kind of shot would stop any normal man, and even send most fighters looking for the bus that just hit them. Not Ridge. Instead, he stayed on his feet and kept pressing Wilson as the round closed.

    Photo-Jordan Raiff

    The final round opened up with Wilson taking aim at the now dry nose of Ridge and finding it quickly. Leaking blood pretty solidly, Ridge still hung in there and kept himself in the fight. With the blood flowing like beer in a honkytonk, this fight had gotten incredibly brutal, and the crowd was on the edge of their seats from the opening bell.

    With blood also flowing from the inner left eyebrow, Ridge kept himself well protected and kept Wilson on his toes. As the claps for the last 10 seconds of the round sounded the crowd found their peak loudness, and they stayed there through the end of the bout. Going to the cards for the first time of the night, the crowd seemed split on who they thought took it. Unsurprisingly, Ridge got the unanimous decision, with his aggression and targeted strikes a big factor in the win, and in them being one of the two FOTN bouts. Winner: Ridge by Unanimous Decision

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Travis Thompson and David Diaz were up in the seventh bout of the night. The day before the fight, Brian Soscia attempted to do a sit-down interview between these two, but their intense personalities would not allow that to happen. Carrying over the intensity of the weigh-ins, the interview was over before they could even finish introductions. Thompson used Diaz being escorted away to his advantage to sit and build the hype for their bout.

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Entering the first round, you could cut the tension in the air with a knife. It was clear that these fighters truly are not big fans of one another, and the crowd was equally as divided. With both fighters coming out aggressively, Diaz looked to be a different fighter from past bouts. Settling into the pocket, it was clear that he had studied and adapted for Thompson’s style. Nonetheless, Thompson picked it apart and landed a devastating blow to Diaz’s left eyebrow. Leaking blood, he kept targeting it and busting it wide open as the round ended, and the fans roared for the action.

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Round number two saw Diaz knocked to the canvas stunningly. However, he rebounded back to his feet like it was simply a slip. This kind of rebound doesn’t always work so well when a fighter is already heavily damaged in one eye, but Diaz trained for this kind of fast recovery. Using this tenacity, Diaz was able to battle back and keep Thompson well at bay, even though shots kept sneaking in. By keeping him on the outside and slightly awkward, Diaz was able to land some significant shots himself, but the leathery skin of Thompson would not yet break.

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Getting to round three was a feat in and of itself for Diaz. With his left eye seemingly swollen shut, the doctor demanded a look at it before the round could get underway. Fine with Diaz’s responses and eye movement, the fight continued. Naturally, Thompson kept working the cut, and with Diaz intelligently defending his eye, he kept in the fight. Throwing consistent power shots, Diaz was now pushing to keep the fight on the outside and away from Thompson’s fierce overhand right. 

    Photo-Jordan Raiff

    Round four had the doc yet again checking Diaz’s eye. Given the fact that the BKFC uses the same doctor in every card, it left many wondering if he would allow the fight to continue. Diaz was once again able to give the right answers and keep the doc happy, so the fight carried on.

    Thompson once again targeted the injured eye and was able to work Diaz back to the canvas. Diaz has the tagline of “Let’s go Perros!!” and he keeps fighting just like a dog. This man does not know the meaning of the word quit, and he kept pressing Thompson. With both men clearly bleeding as the round ended, they both went to their corner with what seemed to be a small exchange of newfound respect and to the roar of the crowd.

    Photo-Jordan Raiff

    The fifth and final round opened with a final check of Diaz’s eye. Surprisingly not looking much worse than the previous two rounds, the doc was quick to let them finish the fight on their own. Diaz showed signs of timing Thompson’s punches and throwing his counter punches, neither was finding their target with the same precision the fight began with. The exhaustion of a five-round fight was clearly visible on their faces, as the duo battled for any semblance of control.

    While not playing it safe, Thompson was more relaxed with his attack, as he knew he had the decision if Diaz couldn’t get the KO. For what it’s worth, Diaz stayed looking for it, and with the smile on his face throughout the fight, it was clear that he was loving every moment of this bout.

    As the final claps rang through the venue, the crowd came to the utmost crescendo of the evening. While they were loud for the previous bout, this one was the fight they were there to see. Thompson got the unanimous decision, and the newly earned mutual respect was on full display both before and after the announcement.  Winner: Thompson by Unanimous Decision

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Jessica Borga and Sarah Click stepped in the ring as the only women’s bout of the evening. Click was a late substitution for Brooke Gilley, and she was ready to go from the opening bell. These ladies fight with the same kind of intensity the men bring, the women’s bouts are always a huge highlight on any card. While Click was trying to time Borga, the reach and strength advantage was clearly on Borga’s side, and she used that to launch shotgun blasts. These blasts sent Click to the canvas multiple times in short succession before the ref ended the fight. Jumping into her trainer’s arms, Borga was lifted high before getting to hear her name as the winner. Winner: Borga by KO in the 1st Round

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Bobby Taylor and Gabriel Freyre were up next. Following the quick lady’s bout, these two seemed to feed on the energy from the previous bout. Taylor’s experience was clearly on display as he busted Freyre open quickly. The BKFC trademark punch and twist strike was working perfectly to his advantage against the newer Freyre.

    A quick inadvertent eye poke stopped the action for a minute, but Taylor was able to carry on quickly. While both were throwing heavy and precise shots, the strength and almost microscopic precision of Taylor sent Freyre crashing down cleanly. Recovering well, he was able to survive the round and get some good advice in the corner.

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Before the second round could even begin, Freyre seemed to be ready to put the instructions of his corner to use. Even though he was worn, he was ready to get back at it. Taylor on the other hand was willing to be patient. Throwing tight jabs and overhand rights, Taylor was able to pick apart Freyre quickly. After falling to the mat, it seemed like Freyre had enough but still got back up.

    Taylor seemed impressed with the toughness of the younger fighter but being impressed doesn’t mean you let off the gas. Mashing Freyre’s face firmly, Taylor was able to knock him back down, and despite his best attempts, Freyre could not find his feet for the third time. The clear KO from Taylor is a sign that he is ready for a serious advancement up the card. Winner: Taylor by KO in the 2nd Round

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Jared Warren and Jay Jackson squared up in the co-main event of the evening. These two have quickly become household names in BKFC, and their styles are perfect for the 185lb division. With Jackson coming out aggressively, Warren took advantage of his slightly off-balance shots and sidestepped to allow Jackson to nearly trip himself up. This made Jackson slow down and take more precise and balanced punches. This more solid base slowed down his tempo, and Warren used this to force shots down the pipe and into Jackson’s face. With a now leaking left eyebrow, Jackson was clearly not ready for Warren’s fighting style.

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Going into the second round, Warren stuck to his game plan and it kept working perfectly for him. Even as Jackson tried to limit the damage by being more evasive, Warren kept finding his mark. The dance was favoring Warren as he was simply outclassing Jackson. Getting dumped to the ground on a clean right hook, Jackson barely found his feet as he was knocked back down. With a beautiful one-two combo, Warren tagged Jackson cleanly and sent him down to the canvas for a second time in the round, and ended the fight as Jackson was unable to get back in it. Winner: Warren by KO in the 2nd Round

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    In the main event, Reggie Barnett and Geane Herrera squared off, with Barnett making history as the first fighter with 10 bouts in BKFC. “Educated Hands” is an appropriate nickname for the interim bantamweight champion, and as he welcomed the UFC vet Herrera, class was in session. Taking the opening round lightly, both fighters moved around looking to find an opening to deliver some serious pain, but none really existed. With 30 seconds in the round left, Barnett indicated that he had been hit a win and inadvertent eye poke on his left side. The doc took a look but saw nothing wrong so the fight continued.

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Barnett was clearly uncomfortable on the stool as his corner checked on the eye. They got him seemingly cleaned up, and he went back out there to tangle with Herrera. The two traded shots openly and kept the action closer to the middle of the ring for this round. While not specifically targeting that left eye, he certainly found his mark with it, and some swelling was incredibly visible under the eye. Given the damage Barnett has taken there over the previous nine fights, this swelling wasn’t too shocking. 

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Both fighters fell to their corners and were showing clear signs of extreme exhaustion. These kinds of fights take their toll, and both fighters were doing their best to find points and not a knockout. This kind of slower pace is more common in the middle rounds of boxing than in BKFC, but the crowd didn’t seem to mind the more scientific style of fighting.

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Round four saw Herrera becoming significantly more on the defensive. The sudden shift in tactics was a warm welcome for Barnett. Seeing how gassed Herrera had become was the green light Barnett needed to absolutely tee off with shots. These punches cleanly found their mark and started chipping Herrera down as the round went on. While Herrera didn’t get knocked off his feet, it certainly looked like the only thing keeping him on his feet was the suddenly loud section of Columbians who had come out to support their fellow countrymen and family member. 

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    The fifth and final round was a clear clinic from Barnett. While Herrera was trying to find openings, Barnett had timed his opponent incredibly well, and he was ready to make Herrera pay for his earlier telegraphing of his punches. Slipping and dodging the punches, Barnett was landing frequent counter punches in addition to his open punches.

    As the fight came to an end, the crowd was soundly on their feet as both looked to see if they could land a KO or even a knockdown before the fight ended. As history shows us, education and experience are a huge combination, and Barnett used these tools to get a unanimous decision.  Winner: Barnett by Unanimous Decision

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Photo-Jordan Raiff

    Photo-Jordan Raiff
    Photo-Jordan Raiff

    Photo-Jordan Raiff

  • Judas Priest Celebrates its 50th at “Warlando” in Orlando

    Judas Priest Celebrates its 50th at “Warlando” in Orlando

    Photo- Randy Cook

    The Warlando Metal Festival featuring the legendary Judas Priest as the headliner thundered into the Orlando Amphitheater on Saturday, September 11th, 2021. With a stacked lineup that would make any metal head quiver with anticipation, I was giddy once I found out I was headed to cover the festival. Judas Priest was touring in support of a newly released box set celebrating fifty years of the band’s music. Being an all-day event, and especially in Central Florida in (what we Floridian’s still consider) summertime, one must fully prepare the day’s adventure and the potential elements ahead.

    Photo-Randy Cook

    Going through my ‘pre-flight’ check for my camera and rain gear, my excitement was near critical mass knowing what was in store for me later in the day. I departed my house, picked up a fellow photographer friend then away we went for the two hour drive to Orlando. Upon arrival we watched a couple of YouTube videos of Judas Priest’s recent concerts to get a feel for where to be and when in our three song allotment that always seems to go by in the blink of an eye. We secured our media credentials and joined the crowd of our fellow music lovers and metal heads. Thankfully, while the sky was overcast and rain seemed to threaten, there was never more than a light drizzle that lasted for more than a few minutes and it kept it from getting brutally hot.

    Photo-Randy Cook

    Uncured

    We arrived in time to catch most of the set by Uncured, and as has happened many times in my concert going history I was completely blown away by a band that I had never even heard of. After the show I looked the band up online and found they are led by two brothers and guitarists Rex and Zak Cox, both described as teen guitar prodigies. It was totally evident as emitting from their guitars were devastatingly heavy riffs – just what I like. With Liam Manley on drums and Micah Smith on bass I found their music to be technical, at times brutal and crunchy with melodic interludes. Wow these guys kicked ass and I can not wait to see them again live.

    Photo-Randy Cook
    Photo-Randy Cook

    Tommy Vext

    I was only familiar with his work in Bad Wolves and it was quite evident that the crowd sided with Tommy in the ugliness surrounding his departure from Bad Wolves. I found his set to be a lot more energetic than I expected it to be, but then again this was potentially another hidden gem of a band I really had not dig that far into (yet) so I did not know really what to expect. I was never really a fan of the Bad Wolves “Zombie” remake but I knew the rest of their stuff was pretty heavy. I was beyond pleasantly surprised that his supporting band was beyond hard rocking and from what I saw in the crowd there were some sore necks after his set!

    Photo-Randy Cook
    Photo-Randy Cook
    Photo-Randy Cook

    Ill Nino

    A metal band with a distinctive and distinguished Latin panache to their sound with alternating lyrics in Spanish and English and multiple percussionists. I think at one point during their opening song there were five different drummers on stage – it made for quite the interesting sound as again, going in this was a band that I had never heard their music before. They have a new fan for sure!

    Photo-Randy Cook
    Photo-Randy Cook
    Photo-Randy Cook

    Soulfly

    Maybe not the biggest name in the metal word but wow does this band have a serious diehard following. Chants from the crowd of “Soulfly, Soulfly, Soulfly…” preceded their on stage appearance and heads were banging right from the very start.  This was my second time seeing Soulfly and I am familiar with most, but not all of their studio releases, so I was well aware of the sheer intensity we were about to witness. By far they had the biggest mosh pit of the day with their crushing metal style. I was reminded of a very valuable lesson during their set. It is impossible to head bang and take good pictures at the same time, although I sure tried!

    Photo-Randy Cook
    Photo-Randy Cook
    Photo-Randy Cook

    Sabaton

    This was my first time seeing Sabaton and let me tell what a show it was. This Swedish metal quintet roots the vast majority of their songs with stories about war time heroics. As a teenager, my stepdad said I would never learn anything by listening to heavy metal but alas, one can learn a tremendous amount of world history by listening to and studying this band.

    Photo-Randy Cook

    This is another band that has an incredibly rabid fan following, constantly topping the metal charts in Europe and just like Soulfly before them, chants of “Sabaton, Sabaton, Sabaton…” filled the air prior to the start of their set. One amazing moment was when lead singer Joakim Brodén noticed and pointed out a very young fan in the front row. He addressed her in between songs and discovered she was nine years old and had prior been on stage with the band at some point back when she was five. He took off one of his wristbands and handed it to my photographer friend to pass along in order for her to have it. The crowd roared their approval at how kick ass the moment was.

    Photo-Randy Cook
    Photo-Randy Cook
    Photo-Randy Cook

    Judas Priest

    What can be said about these metal legends that has not already been written? Surprisingly, in all of my concert going days this was only my second time seeing Judas Priest. After the fact the thing I must mention and give props to is the sound crew. For being an outdoor show the band sounded freaking awesome – crisp and clear, if you were to close your eyes and just listen you could easily pick out each instrument.

    Photo-Randy Cook

    The show itself was absolutely phenomenal – the band touched upon twelve different albums in their nineteen song set and I am certain no one went away disappointed with the song selection. Each and every song played was someone in the crowd’s favorite Judas Priest song. I find that so amazing about music how every song touches and affects each person individually and in a live setting it is no different, just more apparent. 

    Photo-Randy Cook

    You could feel the building anticipation as the lights went out and the band’s recognizable pitchfork cross logo lit up and descended from above the stage. Once the lights aimed down from above onto the crowd, the stage lights came ablaze and the band took the stage opening with a fury into “One Shot at Glory”. It is amazing how fast the first three songs feel like they go by when I am in the photo pit trying to capture as much as I can, their second song “Lightning Strike” seemed to go by in an instant and the next thing I know the band is cranking into fan favorite “You’ve Got Another Thing Comin’”.

    Photo-Randy Cook

    After coming out of the photo pit area we found a decent spot in the crowd and settled in to enjoy the show. I have been a fan of this band since my musical formative years as a teenager in the 1980’s and the next two songs are among my all time favorite Judas Priest songs. “Freewheel Burning” and “Turbo Lover” had me signing along with lead singer Rob Halford, who at seventy years young can still belt out the lyrics with the intensity of his years past. Normally I am not a sing along or out loud kind of guy but in the presence of metal royalty I guess you could say I embraced and lost myself in the moment.

    Photo-Randy Cook
    Photo-Randy Cook

    The twin guitar attack of Richie Faulkner and Andy Sneap was music to my ears as the set list progressed. Drummer Scott Travis and bassist Ian Hill kept the band in perfect musical sync and rhythm. There was a fitting and touching tribute to the victims commemorating the 9/11 attacks as the intro to “Blood Red Skies”. Another of my favorite tunes, “Painkiller” ended the main part of their set and once again I was singing right along with the crowd. Knowing an encore was imminent the crowd launched into chants of “Priest, Priest, Priest…” before ascending into a huge roar when the band came back and closed out their amazing set with five more songs, all fan favorites.

    Photo-Randy Cook

    Sadly the performance and the night had to come to an end. What an amazing day of heavy metal and finally once again being able to share this with my metalhead brethren with close to five thousand strong in the audience. Judas Priest’s tour celebrating 50 Heavy Metal Years was only a few dates old when I had the pleasure of attending. I highly recommend anyone who is on the fence about going to the future dates to stop considering it and buy a darn ticket. It will not be a regrettable purchase, the band sounds amazing and their touring reign can not last forever so get your ass out to see them while you still can!

  • Orlando Welcomes The United States Womens National Team

    Orlando Welcomes The United States Womens National Team

    MAYOR BUDDY DYER TO WELCOME THE

    U.S. WOMEN’S NATIONAL SOCCER TEAM TO ORLANDO

    FOR THE 2020 SHEBELIEVES CUP DURING EVENT

    AT CITY HALL ON FRIDAY, FEB. 28 Orlando Mayor Buddy Dyer welcomes members of the United States Women’s National Team (USWNT) to Orlando for the first time since their 2019 FIFA World Cup victory and will issue a proclamation announcing March 5 as SheBelieves Day in the City of Orlando.

    Members of the USWNT, including the Orlando Pride’s Ashlyn Harris and Ali Krieger who will be in attendance at City Hall, will be recognized for their historic achievement, empowering women through their SheBelieves movement and their tireless efforts promoting soccer around the globe ensuring an everlasting legacy for generations. 

    The USWNT is training in Orlando in preparation for their opening SheBelieves Cup match against England which will take place next Thursday, March 5 at Exploria Stadium (7 p.m.).

    Earlier that afternoon, Spain will face Japan as part of the SheBelieves Cup doubleheader. The matches are in partnership with U.S. Soccer, Orlando City SC and the Greater Orlando Sports Commission.

    WHERE:
    Orlando City Hall Plaza Steps
    400 South Orange Avenue

    WHEN:
    Friday, February 28, 2020
    11:00 a.m. – 11:30 a.m.

  • Blood, Lust & Death in Tampa and Orlando

    Blood, Lust & Death in Tampa and Orlando

    All Photos By Johnathan Hawkins, Will Ogburn & Travis Failey

    The Haven in Winter Park and the Orpheum in Tampa were the perfect settings for exactly the kind of uncensored in-your-face show that Dope and Combichrist put on. With September Mourning and Davey Suicide as support, The Blood, Lust, Death 2017 Tour was in full swing in Florida.

    On Tuesday, space was at a premium and the venue was packed with hardcore fans, both of the bands, and of rock music in general. As time went on, the show got wilder and more unpredictable as each of these bands brought a crazy energy to the stage and a unique show to the crowd.

    This was easily one of the wildest shows that I’ve covered so far, and the lineup kept fans guessing what they’d see next.

    Davey Suicide

    Davey Suicide was the tone-setter for a whole lot of weirdness to come, as he took the stage with a face full of makeup, dreadlocks swinging and surrounded by flashing, colorful lights.

    Davey was a ball of energy from the time he stepped on the stage, bouncing around constantly and making his hair flicker in the light. He also changed costumes throughout, donning a horned hat and a striped circus themed getup.

    Davey’s set was short and included “Too Many Freaks” and Generation F****star”

    Overall, it was a fun energetic warm-up for the long list of bands to come. Davey Suicide fit right into this costumed troupe and prepared fans for what to expect.

    September Mourning

    Perhaps the most well-polished stage performance of the night was September Mourning.

    More than just a band, their shows follow a whole storyline where their lead singer, September Mourning, is a half-human reaper character that tries to save the souls of the living. In addition to their front woman in all white, the other members were shades shrouded in black that danced around the stage.

    This show was unique in that it featured more than costumes but an entire theme, telling a story throughout the concert. The characters and special effects were eye capturing, and the music fits it nicely.

    The venue was tightly packed throughout her whole set, and September was close enough to reach out and touch the crowd. Her set was really interactive and she told parts of the story to the tightly packed house.

    Their set included “Eye of the Storm,” “Skin and Bones,” “Children of Fate,” and believe it or not, a cover of Ben E. King’s “Stand By Me.”

    Dope

    It was a pseudo-hometown show for Dope’s frontman Edsel Dope, who grew up in West Palm Beach, Florida. The band’s front man was battling a fever the day before, but it was easy to tell that he still put in the effort to show out for these special stops.

    Dope’s sound is aggressive and erratic, and their stop in Orlando specifically was perfect for moshing and getting loose after work on a Tuesday. What their music lacks in depth, it makes up for in intensity, as the band and the music are pure nu-metal fury.

    Their two men on the strings, Virus, the lead guitarist, and Nikk Dibs on bass, were blurs for most of the set. They sprinted around, jumped off the risers, and held their guitars up as they shredded. Adding to this stage presence, the band was accompanied by three huge screens that showed lyrics and images as they played.

    Their hard-hitting tracks like “Blood Money,” “Die MF Die,” and “Die, Boom, Bang, Burn,” and even two covers, “You Spin Me Round,” by Dead or Alive, and Billy Idol’s “Rebel Yell,” had the Haven in a frenzy.

    Fans wanted a face-melting, head-banging experience out of Dope, and they certainly didn’t disappoint.

    Combichrist

    This show was already pretty wild before Combichrist took the stage, but they definitely took it to a level I’ve rarely seen before.

    The set started with all 6-foot-5 of drummer Joe Letz, dressed in drag, sprinting to the front of the stage, handing a drum into a roadie’s outstretched hands, and beating the hell out of it.

    He would be a constant spot of chaos at center stage, haphazardly kicking his drums around the stage, sending roadies scuttling after them. He deep throated his drumsticks, tossed them around carelessly, and swapped them in the air with his co-percussionist Nick Rosi. They would both play violently, bashing the drums with their full bodies.

    It would be really hard for frontman Andy LaPlegua to top Letz antics throughout the night, but he was almost equally wild. At one point, he jumped into the crowd and walked around singing at people. His expressions contorted randomly as he screamed and danced with the arms-length crowd.

    Their eardrum-shattering intensity and rapid pace gave the building one unified beat as the whole house ebbed and flowed together. With such hits as “Maggots at the Party,” “Throat Full of Glass,” and “Zombie Fistfight,” fans were vibing, moshing and doing everything in between.

    For their intensity, creativity and the devotions of their fans, Combichrist is worth seeing. Though I’ve only seen them twice, two things are obvious: they never play the same show, and they never phone it in.

    Every artist that played on Tuesday brought something just a little bit more insane to the table than the last, and it made the whole show interesting. I would definitely recommend this tour, as long as you’re prepared to wake up with a neck ache and no voice the next morning as I did on Wednesday. Speaking of Wednesday…

    There was no rest for the wicked as the madness ensued once again on Wednesday at the Orpheum in Tampa where the pit was a little more nastier and men over 50 weighing 300 pounds thought it was cool to crowd surf. Can you say epic fail?

    What was really surprising was the amount of women that were at the Tampa show. Some were dressed like Marilyn Manson while others shined line Marilyn Monroe. It was a true variety of outfits and attitudes in a packed house in Ybor City. The only complaint by many was that Combichrist came on so late in the evening around 11:15 or so. Other than that it was a sight and sound extravaganza.

    The Blood Lust and Death Tour will be tough to compete with in 2017. All the bands brought something sonically and visually different from the other bands in the lineup and my main take away from the show was that Davey Suicide should be a household name in rock.

    They would be a perfect addition to the Worlds Loudest Month festival circuit as Davey has a larger than life stage presence that the fest fans would gravitate to.  Hopefully with the recent release of Made From Fire, Davey and the boys will get to the next level they very well deserve.

     Davey Suicide http://daveysuicide.tumblr.com/

     September Mourning http://www.septembermourning.com/

     Dope http://dopearmy.com/

    CombiChrist https://www.facebook.com/combichrist

    More Photos

     

     

  • Trivium Puts on a Show for the Hometown Crowd

     

    Matt Heafy (photo Will Ogburn)
    Matt Heafy (photo Will Ogburn)

    When Trivium and Sabaton came to the House of Blues inside of Disney Springs on Friday, they showed Orlando what it feels like to be the center of attention.

    Orlando has always felt a bit like a stopgap in the middle of bands’ national tours. At the base of the East Coast, but before Miami, it’s sometimes clear that bands phone it in and use the stop to recharge with a trip to Disney. For Orlando’s very own Trivium, this was far from the case. They, as well as tour mates Sabaton, made this one of the most memorable shows I’ve been to in The City Beautiful.

    Anyone could see that this stop was among the most important of the tour, and fans packed the venue early. Trivium fans wanted to show their support just as much as the band wanted to show their appreciation.

    Jill Januss (photo Will Ogburn)
    Jill Janus – Huntress (photo Will Ogburn)

    Huntress

    Huntress, a thrash metal band from California, would take the stage to warm up the adoring crowd. Their power came from the beautiful Jill Janus, whose Valkyrie-like voice resonated off every surface of the venue. Janus was more than the stereotypical pretty-faced rocker girl, as her stage presence and vocal power captivated the room.

    Despite fans’ protests, the Huntress set was cut short by one song, “Disney is a family company,” as Janus put it, “and they didn’t want any part of our song ‘I Wanna F#$% You to Death’”. The crowd erupted with laughter and boos as she shrugged at them apologetically.

    Eric Harris (photo Will Ogburn)
    Eric Harris Huntress (photo Will Ogburn)

     

    Eli Santana - Huntress (photo Will Ogburn)
    Eli Santana – Huntress (photo Will Ogburn)

    The Takeaway: Huntress was a fun appetizer, though it would be hard to see them headlining their own tour one day. Nearly anyone opening for these two would look average by comparison, though.

    Sabaton

    Sabaton was the perfect fusion of serious and whimsical, as they delivered their lyrics of war with a dose of humor and a big Swedish smile.

    Tommy Johansson - Sabaton (photo Will Ogburn)
    Tommy Johansson – Sabaton (photo Will Ogburn)

    The foreboding quintet took the stage in camo pants to the heavily accented “In the Army Now” – a cover of the Status Quo song. Instantly, the radiating personality of Joakim Brodén, as well as the band’s ability to entertain, stood out.

    Wasting no time, they lunged into their biggest hit, “Ghost Division”. Their chanting, war-themes music was perfect for a live show, and the crowd ate it up.

    Joakim Brodenn (photo Will Ogburn)
    Joakim Brodenn (photo Will Ogburn)

    Between the gory tracks, the fun-loving Swedes joked around with each other and members of the crowd. They announced themselves as from the land of IKEA, and started started singing YMCA – then made fun of the crowd for singing along. At one point, Brodén fired all of his bandmates and said he was going solo because they kept messing with him onstage.

    After several more action-filled songs they would transition to their next “cut scene”, a grim retelling of a World War I battle from a soldier’s perspective. The spoken track soon gave way to metallic drums and the chanting voices of the band.

    Hannes Van Dahl with fan (photo Will Ogburn)
    Hannes Van Dahl  (photo Will Ogburn)

    Right after the encore break, Brodén looked into the crowd inquisitively and pointed. “Look at this guy,” he exclaimed, “he looks so big and strong. He probably gets all of the girls. Wanna come up here, man?”

    Instead of another hulking Scandinavian, Brodén pulled from the crowd a kid of about 13 who was dressed exactly like the Sabaton frontman – from the body armor, to the camo pants and sunglasses, even down to a drawn-on goatee. Brodén looked beyond tickled as he embraced his tiny doppelganger.

    (photo Will Ogburn)
    (photo Will Ogburn)

    After equipping him with ear protection, he told the young fan that he could join the fan onstage for the next song. Mini Brodén had other plans, however, as he asked drummer Hannes van Dahl for two sticks and began playing along with “Night Witches”. Brodén looked shocked, but continued the show – and it went off without a hitch. This was one of the coolest moments between a band and fan I’ve ever seen.

    From there, it only got more intense. Their finale was the upbeat and chanting “Primo Victoria” that detailed the D-Day Invasion.

    The Takeaway: It’s really hard to say that Sabaton didn’t steal the show. This fun-loving band was unique in a way that you just can’t explain. Though everything they did was part of a show, almost none of it looked like an act.

    Trivium

    Matt Heafy - Trivium (photo Will Ogburn)
    Matt Heafy – Trivium (photo Will Ogburn)

    Trivium wasted no time getting to the point. They took to stage by letting the entirety of Iron Maiden’s “Run to the Hills” play on a track, and then kicked it up another notch with fan favorite “Strife”.

    It was at this juncture that vocalist Matt Heafy said “On all of our tours, we have a contest to see who’s the best group of fans. Right now, It’s New York City. Honestly, I wouldn’t feel right if we ended the tour without our hometown of Orlando on top, to lets make it happen.” The crowd erupted as they transitioned into the fast paced “A Gunshot to the Head of Trepidation”

    Trivium’s setlist was perfectly balanced – leading with a hit, sandwiching another, “Until the World Goes Cold”, in the middle, and ending with their biggest hit, “In Waves”.

    The Trivium bar (photo Will Ogburn)
    The Sabaton IKEA bar (photo Will Ogburn)

    Though the music was good, the show was even better. Midway through the set, members of Sabaton wheeled a gear case out from backstage. On the front of case were big SABATON IKEA BAR stickers, and the whole band, as well as parts of Huntress and some roadies joined Trvium onstage for drinks. They all played together for a bit, singing and horsing around until the set got back on track.

    After a Paul Wandtke drum solo, a random roadie brought out a full fine dining setup and began serving food. Another roadie sat at this table and sampled wine and salad. The waiter roadie then fed Wandtke some salad as he hammered away, the rhythm undeterred.

    Paul Wandtke The Sabaton IKEA bar (photo Will Ogburn)
    Paul Wandtke (photo Will Ogburn)

    It was shortly after this that Heafy informed the crowd that they had accomplished their mission. After nearly an hour of headbanging, they had beaten New York. Cheers erupted from the crowd as they played on.

    The show hit its climax with the long buildup of “Capsizing the Sea” which transitioned to “In Waves”. The quick, aggressive track was one of their most energetic of the night and brought the crowd screaming to their feet.

    The Takeway: Though Trvium was headlining, this felt like two groups of longtime friends taking their jam sessions on tour. The love and chemistry, not only among bandmates, but also between Sabaton and Trivium, was perfect. Trvium made Orlando feel like the rock and roll capital of America, if only for a night.

    FULL WILL ORGURN PHOTO GALLERY

  • Orlando and Saint Pete have an “In This Moment”

     with Travis Failey

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    Chris Howarth, Maria Brink & Randy Weitzel ITM ( Photo-Travis Failey )

    In the midst of Orlando’s booming summer of concerts, the Hell Pop Tour rolled into Hard Rock Live at Universal’s City Walk. The tour brought a diverse foursome of rock groups – from the sexually charged, female-driven headliner In This Moment, to the metallic super group Hellyeah, to the countrified, bluesy sounds of Shaman’s Harvest, to the energetic, painted faces of Sunflower Dead.

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    Maria Brink ITM ( Photo-Travis Failey )

     The tour, which started in April, is the first leg of a very busy summer for its two leading acts. In This Moment will be supporting Korn and Rob Zombie on their summer tour in July, while Hellyeah will be teaming up with Escape the Fate, New Years Day, and From Ashes to New for their own headlining tour.

     Though music is often near the top of Orlando’s radar, a slew of national tragedies have made this summer memorable for very different reasons. Each of the bands made a special effort to connect with the people of Central Florida, letting them know that they had support from the rock community.

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    Micheal Del Pizzo SFD ( Photo- Will Ogburn )

    Sunflower Dead:

    In a interview I did with SD’s Michael Del Pizzo, he said that “this band is about fun and entertainment…we’re out there on stage to entertain the fans”.

    (To listen to the Interview click here : https://www.rocketsports-ent.com/interview-with-michael-del-pizzo-of-sunflower-dead/

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    Sun Flower Dead ( Photo- Will Ogburn )

    They brought that mission to life on stage at the Hard Rock from the minute their painted faces walked out. As an opener, it’s often a band’s job to not only warm the crowd up, but also give a powerful impression.

    Sunflower Dead is in the midst of promoting their new album It’s Time to Get Weird, and the title track did just that – sending cheers and first-pumps through the crowd.

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    Michael Del Pizzo Sun Flower Dead ( Photo- Travis Failey )

    Del Pizzo stressed that he likes to blend fun and seriousness into his act, and their songs “My Mother Mortis,” and “Dance With Death,” are great examples of this.

    With a throwback sound, and the blessing of one of the greatest bands in the genre – Korn, Sunflower Dead is worth a listen.

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    Shaman’s Harvest ( Photo-Travis Failey )

     

    Shaman’s Harvest

    This group from Jefferson City Missouri caught my eye during high school, and their unique sound has made me a fan ever since. A mix of rock, blues, and a bit of country, the band has been going strong since ’96. No matter what they sound like, their attitude can be described in one of their best known songs, “Country As F***”.

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    Josh Hamler Shaman’s Harvest ( Photo-Travis Failey )

    The spooky chants of “Blood on the Water” echoed off the walls as the wild looking group of friends took the stage. After the long intro, the powerful, raspy vocals of frontman Nathaniel Hunt came through the mic.

    ITM (1 of 39)
    ( Photo-Travis Failey )

    Their diverse set list featured everything from the upbeat “Turn It Up’ – as close as they’ll ever come to pop, to the somber “In Chains,” to the heavy metal sound of “Dangerous.” There’s even their cover of Michael Jackson’s “Dirty Diana” for good measure.

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    Nathan Hunt & Josh Hamler Shaman’s Harvest ( Photo-Travis Failey )

    My personal favorite of the night was “Dangerous,” with it’s chugging guitar riffs and catchy refrains. This is a great song to have on a workout playlist; it makes you feel like a genuine badass.

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    Matt Fisher Shaman’s Harvest ( Photo-Travis Failey )

    Shaman’s Harvest finished off their set with their biggest hit, “Firefly.” Hunt’s curly hair fell at odd angles over his face, as he soulfully belted out the deep-voiced intro of the Who’s “Behind Blue Eyes” leading into the opening notes of “Firefly.”  It was beautifully done and and a complete surprise.

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    Adam Zemanek Shaman’s Harvest ( Photo-Travis Failey )

    “Firefly” has the same spooky feel as their opener, but it’s much more intense. The heavy guitar and hypnotic drumbeats had the crowd moving along as the Missourians closed it out in style. As with Red Sun Rising, Shaman’s Harvest is a refreshing addition in the rock scene that seems to be stuck in a rut of emo-metal bands these days, and I’m looking forward to hearing more from them in the near future.

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    Chad Gray Hellyeah ( Photo-Travis Failey )

    Hellyeah

    Hellyeah is the lovechild of multiple musicians that were in other bands, but decided to come together and form one sound. Vocalist Chad Gray had a bit of a messy breakup with his ex-bandmates in Mudvayne, leading to a bit of pent-up anger. These emotional lyrics, from anger to sadness, give Hellyeah a raw, charged up sound.

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    Vinnie Paul Hellyeah ( Photo-Travis Failey )

    Gray embodies this persona with messy dreadlocks and a grizzled scowl, far from his days as a nu metal MTV Award winner. He took the stage with blood seeping out of his mouth, surrounded by his ragtag group of musicians.

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    Chad Gray Hellyeah ( Photo-Travis Failey )

    They opened with “X”, an appetizer for the rage-filled set. Hellyeah brings a much different level of energy to the stage than what goes into their studio work, and this track showed it perfectly.

     Next up were “Demons in the Dirt” and “Sangre por Sangre”, two high-energy songs that kept the crowd in a frenzy. As Gray jumped around the stage, fake blood trailed down his face, dying his beard red.

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    Tom Maxwell Hellyeah ( Photo-Travis Failey )

    His duo of guitarists, the outlaw-looking Tom Maxwell of Nothingface fame, and relative newcomer Christian Brady, strolled around the stage while unleashing face melting riffs on the crowd. Dread-headed bassist Kyle Sanders was a blur of energy, just like Gray, whipping his hair around amidst the chaos.

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    Tom Maxwell & Kyle Sanders Hellyeah ( Photo-Travis Failey )

    The set continued in this mayhem until its conductor put the music on pause. Covered in sweat, Chad Gray started addressing the crowd. He talked about how metal music changed his life, and how it would bring together this community that had been saddened by tragedy.

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    Chad Gray Hellyeah ( Photo-Travis Failey )

    He said that he went through a depression – he thought he had the perfect job, perfect life, perfect girl, and perfect friends, and all of it came crashing down, but metal music made him whole again.

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    Christian Brady Hellyeah ( Photo-Travis Failey )

    After this somber aside, the band played their only kind of soft song ­– a cover of Phil Collins’ “I Don’t Care Anymore.” It’s becoming a trend for metal bands to cover more mellow songs, and I’m all for it.

    The band closed out their set the way fans hoped they would, with their self-tiled party metal anthem “Hellyeah.” The crowd, as well as the band, was already covered in sweat and probably in need of a drink but they rallied for one last round of moshing to top off a night of face-melting fury.

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    Hellyeah ( Photo-Travis Failey )

    Though Hellyeah was a bit repetitive, they know how to have a good time. When you’re two bands into a metal show, the adrenaline is running at a fever pitch and the lyricism can wait. A band like Hellyeah is perfect to build up anticipation for the upcoming headliner.

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    ITM ( Photo-Travis Failey )

    In This Moment

    Maria Brink is a true performer. She has built a loyal fan base over the years, and it’s easy to understand why. By playing up her physical gifts with creative costumes and provocative dance moves, she has become a symbol of power for women and a symbol of lust for men.

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    Chris Howarth & Maria Brink ( Photo-Travis Failey )

    Brink took the stage holding what looked like two shields surrounded by two dancers that had the same. They danced around in unison as an introduction to the elaborate show to come.

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    Maria Brink ( Photo-Travis Failey )

    I’ve never seen a stage show as complex as In This Moment. The end of each song meant a brief intermission, a costume change, a corresponding dance routine, and a new elaborate entrance. There was everything from a sexy nurse during “Sex Metal Barbie,” to a Disney villain-esque character during “Black Widow,”and to savage animals during “Big Bad Wolf.” Performance rock to its finest.

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    Maria Brink ( Photo-Travis Failey )

    The four official band members and two back up dancers were constantly engaging the audience and keeping the show fresh. Because of all of these theatrics, a 10-song set list took over an hour and a half and not a single person seemed to mind.

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    Maria Brink ( Photo-Travis Failey )

    Midway through the set, she too stopped to talk to the audience. With a bed of music, she looked everyone she could in the eye and individually thanked them or waved. It was a big difference from the following night in a blistering heat during their performance at Jannus Live in Saint Petersburg as Maria had to have security jump out into the crowd to stop some fans from being overly aggressive & violent in the pit.

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    Maria Brink Addressing the Crowd Issue ( Photo-Travis Failey )

    She also had to address some male fans who found it to be ok to grope some of the female fans in the audience. This is a disgusting trend at concerts these days and it has increased exponentially over the last few years and hopefully those who get caught will be handled brutally and made an example of.

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    Randy Weitzel ITM ( Photo-Travis Failey )

    Brink then shouted out to her guitarists Chris Howorth and Randy Weitzel, as well as the bassist Travis Johnson. After about ten minutes of all of that, she disappeared to let them have the spotlight, which was amazing considering that critics would knock In This Moment for playing up the gimmick of having an attractive female lead.

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    Maria Brink ( Photo-Travis Failey )

    By letting the music do the talking, they proved that they could hang with the best of them without the makeup, masks, or tricks. The men also played up to the crowd by playing some classic instrumentals that the crowd would appreciate and dig in “Peace Sells But Whose Buying” by Megadeth and “Creeping Death” by Metallica.

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    Chris Howarth, Travis Johnson & Randy Weitzel ( Photo-Travis Failey )

    The best part of their set came in the final two songs. The first was their hit “Whore,” which Brink wore emblazoned on a dunce cap. As she waved a ruler around, the dancer waved pompoms as the crowd sang along every time the chorus hit. I was amazed as the both venues were packed to capacity, especially Jannus Live with the “feels like” temperatures reaching over 100 degrees with bodies packed 20 deep near the rail.

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    Maria Brink ( Photo-Travis Failey )

    Finally, as the clock rolled around midnight, the band left the stage for the final act. Brink appeared in a plume of smoke, her body covered in red head to toe. She had a bloody crown, a full-length dress covered in veiny folds. This was, of course, “Blood”, their biggest crowd pleaser. The fully synchronized trio of red ladies danced enticingly with every word, and the crowd ate it up.

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    Maria Brink ( Photo-Travis Failey )

    I’m not sure exactly what I was expecting in an In This Moment show, but I know I’ll never forget it. It was equal parts loving, sexy, and badass, with their lead siren guiding you seamlessly through each. Even if you’re not a fan of their music, the show is worth the ticket price alone.

     For additional info and dates on In This Moment and the Hell Pop Tour: http://www.inthismomentofficial.com/tour/

     

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    In This Moment ( Photo-Travis Failey )

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    Maria Brink ( Photo-Travis Failey )

    ITM (23 of 39)
    ( Photo-Travis Failey )

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    Travis Johnson ITM ( Photo-Travis Failey )

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    Maria Brink ( Photo-Travis Failey )

    ITM (11 of 39)
    ( Photo-Travis Failey )

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    Maria Brink ( Photo-Travis Failey )

  • A Night at the Plaza with Matisyahu

    Matis 2
    (Photo-Will Ogburn RSEN 2015)

    “We play what the f––– we want to play,” Said a visibly annoyed Matisyahu – and thunderous applause broke the awkward silence. Interruptions were frequent during the Jewish reggae star’s performance in Orlando, and so he decided to address them. “Does every artist have to deal with this?”

    The setting for Wednesday’s show at the Plaza Live was much different than in years past: a low stage that sat just above rows and rows of chairs. The feeling in the air was one of mellow appreciation, rather than electricity. Matisyahu no doubt did this tour for the fans – an intimate, acoustic show that served as a catalog for his entire musical career.

    Matis, Aaron Dugan, Rob Marscher
    (Photo-Will Ogburn RSEN 2015)

    Each song was bookended by soothing silence, as Matis talked to his bandmates or the audience, or perhaps sipped from a cup of tea that he had onstage. This peaceful environment was refreshing for most, myself included, but it didn’t seem to sit well with a circle of fratty, Bud Light wielding attendees on the left side. This leads us back to our conflict.

    Midway through the second part of his set, the peanut gallery yelled for Matis to play “Sunshine”, one of his most popular songs. He laughed at first, but as the chants became more frequent, he decided to stop the show and make an example out of them.

    “Ya know I like that song, ‘Sunshine’, but honestly its one of my least favorite songs to play. I want to be more than just my popular songs…that’s kind of the point of this show. So we were gonna play Sunshine, but I don’t like being told what to do – so guess what? Not gonna play it.” The crowd broke into one of the most interesting cheers I’ve ever seen – applauding an artist for not playing one of their favorite songs, because it was what he wanted to do. This was the beauty of this whole show encapsulated in one moment.

    Matis 12
    (Photo-Will Ogburn RSEN 2015)

    As far as what he did play, only the guys onstage really know. I made sure to grab a picture of the setlist but its seemed like more of a formality than anything, as they deviated from it early and often. Matis is incredible at conveying emotion, and the whole experience felt almost religious – a spiritual meeting of like-minded individuals.

    This tone was set early by a duo of painters that serve as an opening act. Unconventional, but impactful all the same, they “live painted” to a mix of dubstep, techno, and reggae. This brought musical and visual art together, and was a nice appetizer for what was to come.

    Painters onstage
    (Photo-Will Ogburn RSEN 2015)

    Matis opened up by calmly strolling across the stage, greeting his bandmates and the audience, and sitting down on a stool. It felt like an impromptu jam session with his friends that had somehow morphed into a sold out concert. They carried on naturally, checking their instruments and chatting with the crowd until the music started and they got underway.

    Early in the set, he played “Time of Your Song”, and the energy intensified. It seemed that each member of the audience was having their own unique experience with the song – some were dancing, some were skanking, some closed their eyes and sat still in their seats. The relaxed feel gave way to cheers as Matis started beatboxing and moving his hand back and forth with the quick beat.

    Matis
    (Photo-Will Ogburn RSEN 2015)

    His calm and positive vibe fit well with songs from his last album Akeda. “Star on the Rise”, “Black Heart”, and “Confidence” were mixed in early, and seemed to flow into one seamless reggae groove. Matis transitioned with fits of beatboxing, and a scarecrow-like dance at the sides of the stage.

    Although everyone started off seated, they were all of their feet clapping and dancing when Matis broke for a small intermission. It was here where I talked to a pair of Jews wearing traditional yarmulkes about Matisyahu’s affect on the Jewish community. “He really opened up everything creatively,” said one of the men, “He broke so many taboos about expressing yourself.”

    Matis 11
    (Photo-Will Ogburn RSEN 2015)

    It’s clear that Judaism is a pillar in the artist’s work – Matisyahu is Hebrew for “Gift of God”, after all.

    Coming out of the break, Matis decided to tap into this part of himself. It was less of a song, and more of a transcendent talk with God onstage. The music became low and soothing, as Hebrew began to roll off of his tongue. The few in the crowd that could understand him yelled “Amen!” or “Yes!”

    Matis 3

    Even as a religiously ambiguous white dude, it wasn’t a strange or uncomfortable experience to me. It’s amazing to see someone so creatively free – so unaffected by the outside world.

    It was just after this that he made an example of the fans screaming for “Sunshine”, and that just hammered the point home. No one was going to tell Matis how to create.

    Instead of “Sunshine”, guitarist Aaron Dugan made a steering wheel gesture, and they played “Broken Car”. Another mellow, techno-infused track, the song brought the energy back to 10 after all the commotion.

    Matis, Keiper, Brooks
    (Photo-Will Ogburn RSEN 2015)

    Matis grooved on – and on and on. He played songs from the early days where he was known for rocking a full beard, from his clean-cut yesteryear not so long ago, and from the present – a longhaired hippie type that’s consumed with self-expression.

    Through all of this, we were clueless as to what he would bring out for the encore. He’d already struck down “Sunshine”, and a drunk dude running up to the stage demanding “One Day”, killed that too…what could he choose now? I heard a murmur of confused as he slinked off the stage like Shaggy from Scooby Doo.

    Tim Keiper
    (Photo-Will Ogburn RSEN 2015)

    What hit us was a funky reggae groove that sounded straight out of a dancehall; this was common of Matis’s early works. He swung his hand like the Seminoles’ war chant as he belted out “Chop Em Down”. This little-known track off of his first album (’04) struck a chord with his day one fans, who excitedly sang it back to him. Those that got it really got it, and those that didn’t, could appreciate the giveback for years of fanhood.

    Matis 9
    (Photo-Will Ogburn RSEN 2015)

    After seeing so many concerts, the robotic nature of it all sometimes gets to me: bands playing the same setlist city to city, zero deep tracks and no surprises.  There’s one thing you can be sure of if you see Matisyahu’s current acoustic tour: you truly don’t know what you’re going to get which provides wonder and suspense. Adding elements like these, Matisyahu at the Plaza Live in Orlando took an already special performance and made it an unforgettable one.

    For more information and upcoming tour dates:

    http://matisyahuworld.com/#falltour