Tag: motley crue

  • The Chief Metal Officer’s Year in Review

    The Chief Metal Officer’s Year in Review

    Photo-Randy Cook

    No one knows exactly what their future holds, and when January 1st rang in the New Year I had no idea that 2022 was going to be the most epic concert year that I have ever had. This calendar year has afforded me the opportunity to see some musical legends and my favorite bands, and to have been approved with photo credentials for more shows than I have ever been credentialed for.

    Photo-Randy Cook

    I discovered new bands that expanded my musical horizons even further. I met many new rock friends and shared time with friends old and new at shows throughout the year, across the country and on the high seas.

    You might ask me if I am able to pick a single favorite show or band out of my epic year’s adventures. My first answer would be that every single show I saw kicked ass in its own right. Then I started debating if I could somehow quantify each show across multiple variables to see if there was in fact a mathematically proven top show of the year.

    I kept getting stuck debating on what weight would each variable hold, and how out of town shows would potentially skew results as it does add an extra level of excitement to travel for a show which usually involves going to a new venue.

    Photo-Randy Cook

    After some contemplation, a new Excel spreadsheet and a few conversations with my concert going brethren, I came to the conclusion it is a personally subjective outcome and that traveling for a show would indeed skew the outcome. I counted too many variables between the ones that I came up with and the suggestions of my friends added in and returned to my initial answer that EACH. AND. EVERY. SHOW. KICKED. ASS!

    2022 summarized numerically:
     37 shows
     26 credentialed shows and 2 shows I was able to bring my camera. 2 shows I got denied (both
    Iron Maiden) and 7 shows I didn’t try for credentials.
     169 band performances
     6 different states
     14 different cities
     18 different venues and 2 cruise ships
     11 new venues I had never been to

    My first show of the year was in early February at the sail away party for my annual excursion on the Monsters of Rock Cruise. Axeman extraordinaire Adrien Vandenberg was the headliner and it had been over thirty two years since his last performance in the United States. I was astounded at his jaw dropping playing ability as a teenager in the mid-1980s and to see and capture with my lens this man absolutely shredding right in front of me were moments of pure joy. And this was just the first show of the year!

    Photo-Randy Cook

    He also played twice on the Monsters of Rock cruise so three times within less than a week I witnessed a true master of his craft at work.

    Photo-Randy Cook

    The Monsters of Rock Cruise was beyond awesome seeing forty two performances over five nights and alongside a good friend who is a Jedi behind the lens and one of my photography mentors (Obi Wan). New friends were made as have been every music cruise I have ever been on. One as a result of me going “Hey, that is a cool t shirt – can I take a photo?” Even though I now abstain from indulging, that conversation has me an honorary member of the “Heavy Metal Beer Club”. Just that simple exclamation and question has led to a great friendship with a great metal and beer loving couple who live in Arizona.

    Photo-Randy Cook

    Many great bands were seen onboard, some newly discovered as well as many I was very familiar with. This was also my first exposure to the Van Halen tribute band Nerd Halen. I shot their meet and greet photo experience and I had in front of the front row access for part of their pool stage show that both Obi Wan and I were still talking about weeks later and we both proclaimed as our favorite show of the cruise. I cannot wait for the cruise in 2023 as it is an incredibly stacked lineup.

    Photo-Randy Cook

    A week after the cruise returned I flew out for my first ever visit to Las Vegas for my tenth time seeing Metallica and was a promised metal quest fulfilled for the Chief Metal Maiden’s first Metallica show. That the show was in Sin City was an added bonus! Thankfully no bail money was required.

    Gretta Van Fleet was one of the openers and it was my first exposure to their music beyond what I had heard on terrestrial radio. I would for sure like to see them again and as a headliner. Crazy to see one of my local friends out there at the show, but we metalheads roll deep and travel for what we love.

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    Two weeks after Metallica I went with another friend and Jedi behind the lens photography mentor (Lord Nikon) to see Tesla at the Strawberry Festival. While I was not credentialed for this show, their security does not check for cameras so I brought mine, shot the whole show from my seat and ended up posting over a hundred shots.

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    The Cannibal Corpse show was my friend’s teenage daughter’s first ever concert (and her idea for them to go) and a people watching old mine. I witnessed a very interesting ‘exchange’ (that needs to stay unwritten) between a guy and his wife/girlfriend during one of Cannibal Corpse’s more anatomically graphical songs. Um, if you catch me at a show ask me about this story lol. Thankfully, while my friend’s teenage daughter also witnessed this said unmentionable exchange, I am beyond certain she had absolutely no idea what the band was singing about and I confirmed after the show that she is not scared for life.

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    The Cult sounded phenomenal and Ian Asbury still has an amazing voice. A one hundred percent amazing show in a nearly acoustically perfect venue. I so look forward to seeing them again.

    Cruise to the Edge was an absolute blast, Obi Wan and I worked as part of the meet and greet photography team. We had a balcony cabin (my first time ever on my seventeenth overall and sixth music cruise) and woke up to paradise out the sliding door each morning. My first time ever with “Production” credentials. Which means there is no three song limit from the photo pit (which is the norm with media credentials) and I shot on stage with the bands at various times for the first time ever. Initially that was a terrifying experience as I took each and every step up there carefully, as I did not want to trip over a wire and bring the show to a halt. Shooting on stage turned out to be the most exhilarating experience I have ever had doing concert photography.

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    A special shout out filled with much appreciation to the Spicy Ginger for having us along on board. Overall I saw forty six performances (including the sail away party), Obi Wan and I each did four meet and greet shoots and again, new friends were made.

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    Jackyl was a fun show and also a people watching gold mine given the venue. I have always loved this band and every time I have seen them live they put on a great, very highly spirited rock n roll show, and this night was no different. 

    Shooting the Pussy Riot show was an experience. To say I was expecting an actual band to play, when the emcee of the night said we were minutes away from Pussy Riot hitting the stage and me only seeing a table at the back of the stage with a laptop on it I turned and asked Obi Wan “Where’s the drum kit?”

    Let us just say I have a newfound enjoyment of electronic music after seeing this show. It was very hypnotic, sensual and angry all at the same time. It was a heightened crowd and ‘band’ as the show was the headliner show of the local Pride Festival. The major abortion ruling had just rippled through the nation earlier that day so hence my description of the anger I felt from the band but they used that to bring solidarity to the crowd and it was just a powerful evening in many ways.  

    Photo-Randy Cook

    Def Leppard/Motley Crüe/Poison/Joan Jett at Wrigley Field was an out of this world show, trip, and experience. For the review I wrote as a fan in the stands I came up with what I consider as my best title ever with “Pour Some Shout at the Devil on Me”.

    A shout out of appreciation to my boss for the tickets, as much as I thought Motley Crüe kicked ass, I, the Chief Metal Maiden and those around us were in agreement that Poison stole the show.

    Photo-Randy Cook

    Volunteering to photo the Girls Rock St. Pete end of camp concert was an unexplainable experience for the fact that some of these girls had never picked up an instrument before the Girls Rock camp started a week ago and here they were on stage performing to a packed courtyard at Jannus Live.

    Photo-Randy Cook

    Obi Wan and I each submitted hundreds of shots and the reception and pure gratitude we received in return has us both anxious to volunteer again and photo as much of next year’s camp as possible in addition to the finale concert. This is a great organization and there are chapters all over the country. Girls Rock!

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    Lord Nikon, his wife and another friend did a road trip to see Tom Kiefer Band/LA Guns/Faster Pussycat at The Ranch in Fort Myers. It was a huge venue inside with a bar along the wall all the way around and a giant ‘dance’ floor in the middle as it was apparent from all of the signed guitars on the wall it was mostly a county music venue.

    Conversation on the drive home included both how great the show was as well as how cool that venue was, how great the sound system there was and we all vowed to keep an eye on their event calendar.

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    Anthrax/Black Label Society/Hatebreed – Before we even went into the show I was in the presence of the Holy Quartet of Jedi photographers (Joel, Steve, Mark, Lord Nikon). While I and several other photographers were not approved to photo Black Label Society somehow we all got to shoot the whole set, while we all had the normal three song limit for the opener and headliner).

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    With the stage height only coming up to my waist at the House of Blues in Orlando, I got some of the best shots of any show I have ever photographed during their set (you should see the Holy Trinity’s collective jaw dropping shots – Lord Nikon did not photo).

    It was a killer show and a fun, literal at the last minute road trip with Lord Nikon as I did not even get the approval that I was credentialed until 3:30 PM the day of the show and then had to make the trek from Tampa over to Orlando as doors opened at 6 PM. So worth it!

    Photo-Randy Cook

    More appreciation goes out to the Spicy Ginger as she invited Obi Wan and I to the Monsters on the Mountain festival. Over the three day period I saw twenty eight performances, did five meet and greet shoots and met one of the most interesting, friendly and personable guys ever.

    Photo-Randy Cook

    For simplicity and to protect the identities of the innocent, I will call him Sparky and let me just say, within a few minutes of getting in for a ride in his (I have free candy but I am not a serial killer stalker) van, meeting and chatting with him it was like we had been friends for decades. I cannot wait to hang with you again Sparky! It has been great to keep in touch with you and follow your cross country adventures.

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    Obi Wan and I hope this festival returns to Gatlinburg again next year so we can put a day on either side of the festival to explore and photo the area. For this trip we didn’t arrive until after 2 AM the morning of the festival (Friday), each ‘worked’ almost forty hours and had an airport pick up at 5:15 AM on Monday. Such a fun trip and Sparky was only one of the new friends I met.

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    Seeing Paradise Kitty and The Iron Maidens in Milwaukee was the record breaking show for the year and it was not even September yet. This was my twenty sixth show of the year, breaking my previous record attained in 2014.

    The Maidens sounded awesome and even played the hardly ever performed live “Rime Of The Ancient Mariner” which clocks in at over thirteen minutes. The Kittens rocked the house and the whole night again solidly proves that Girls Rock!

    Photo-Randy Cook

    What I called and considered the Tour of Biblical Proportions, Testament/Exodus/Death Angel absolutely obliterated the ground in and around Jannus to where I witnessed a portal to Hell open up in the mosh pit.

    Another people watching gold mine show, this was another show where I had to remind myself that I am not skilled enough to headbang and take (good) photos at the same time.

    Photo-Randy Cook

    Iron Maiden in Chicago was the longest wait in between ticket purchase date and the show date I have ever had to withstand (non-pandemic related or rescheduled). Ten months since the charge hit my credit card to the time the Chief Metal Maiden, two of our ‘Lake Bluff Bubble’ peeps and I entered the United Center for what was all three of their first time seeing this legendary band. To say it was an awesome show was an understatement.

    The set list was pure brilliance, a great time was had by all in our group and I still had the local Tampa show to look forward to in two weeks.

    Photo-Randy Cook

    The Iron Maidens at OCC Roadhouse had the same people watching gold mine qualities as this venue always has. This time here my view was from side stage as we were allowed to photo the whole show from inside the crowd and the Maidens put on another stellar performance. They really mixed up the deep cuts of their set list from only a few weeks ago.

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    Iron Maiden in Tampa I guess technically was a longer wait from ticket purchase to the show but you get the idea it was a long wait. This show was a reunion of three buds, Timbro, The Foz and it and was Timbro’s son’s first ever concert. We reminisced about how Timbro’s first concert was with The Foz and I back in 1987 (Motley Crüe and Guns n Roses).

    The sound quality of this show was far better than in Chicago and to where I would say the best ever sounding show I had ever seen at that venue.  Four of my last five shows were Iron Maiden related, and three of them were in October so instead of Rocktober I referred to it as Maiden Month. One other item to note was this show was the 139th and final performance of the ”Legacy of the Beast’ tour that started in 2019 and of course was pandemic delayed.

    I had attended the opening night of the North American leg in Sunrise, FL in 2019 and got to close out this tour with a treasured, highly detailed, ‘Easter egg’ filled Iron Maiden event shirt commemorating the tour itself. Only time in my life I have ever bought four shirts at the same tour (three online, saving that hour long wait in the merch line) and for the one I got in Tampa, when I popped out quick during one of the songs and came home with fabric gold! 

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    Twist of the dial with a (mostly) reggae show in Virginia. While the trip also included a Lightning hockey game and some sightseeing, the chance to catch an out of town show was high on the list and much appreciated. The show was super chill with some extremely talented musicians. A nice change of musical pace. Definitely more reggae shows in my future.

    Photo-Randy Cook

    The Scott Stapp show was the other where I was not photo credentialed for but still was able to bring my camera. I had won tix for a section in front of the VIP section (SVIP – a new higher priced category I had not yet heard of) and this eventually got me on the rail up front. Scott still has his amazing voice, it was perfect weather for an outdoor show, and I got some great shots.

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    Seeing W.A.S.P. in Orlando was the culmination of a teenage dream so many years ago to see them live. Life and their tour dates never matched up until this tour was announced and not quite as long of a wait as Iron Maiden, but we bought the tix back in January.

    An epic road trip which finally introduced Lord Nikon to The Foz and the show was beyond epic in itself. This time I only have to wait a mere seven days to see them again!

    Photo-Randy Cook

    W.A.S.P. in Chicago may be the epic adventure of the year. Lord Nikon’s connections back home got us tickets to the sold out show on the first of the only back to back stops on their tour.
    Then prior to the Saturday show he and I both got to watch a bit of the W.A.S.P. sound check and also check out the Arcada Theatre.

    He and I agreed that this was the coolest venue either of us had ever been to. Then we got to hang out for the Armored Saint sound check before returning to the venue a few hours later for the sold out show we originally bought tickets and planned
    the trip for. It was concert history for me as it was the first time I had seen the same band for three concerts in a row and my third time seeing W.A.S.P. within a week.

    Photo-Randy Cook

    Cannibal Corpse once again decimated and laid waste to Jannus and by far it was the darkest show I saw of the year as one of the opening bands literally had the crowd chanting “Hail Satan.”

    There were dozens of people there proudly displaying their face corpse paint and upside down crosses on their foreheads. Thankfully this show was on a Saturday night so it was not too long before I could get to church and repent. I saw all four bands and did not understand a single word being sung. That is awesome!

    Photo-Randy Cook

    Jinjer was freaking amazing– I had never heard a band sound so good at Jannus. P.O.D. certainly has me as a new fan after hearing more beyond just their radio tunes. To say that Tatiana mesmerizes me is an understatement and my review of the show spawned this literary gem of me describing her on stage.

    She transitions from that super sweet girl next door with a smile that will melt your soul to an alluring succubus that will rip your f*cking heart out just for the fun of it. I already yearn for my next Jinjer show.”

    Photo-Randy Cook

    I would say it is hard to put into words the experiences I have had this year, but here we are almost thirty three hundred words later. All I can say is wow! What an amazing year.

    My favorite show of the year? It has to be seeing Metallica in Las Vegas. It is Metallica. It is Las Vegas. They finally hit double digits in my overall count. A promise was fulfilled to the Chief Metal Maiden for her to see them for her first time. The week leading up the show was a whirlwind tour of the city and part of the Grand Canyon. The show itself was absolutely awesome as those guys are still kicking ass.  

    Photo-Randy Cook

    Months prior when I bought the tickets  Ticketmaster received much ire from me as we should have had great seats, but one of the infamous Ticketmaster SNAFU errors put me back in the queue at the time of purchase. Still, it was freaking Metallica in Vegas and if tomorrow they scheduled another concert there I would find a way to make it!

    Serious contenders for show of the year has to include Anthrax/Black Label Society/Hatebreed (for the photo experience I had). Both Iron Maiden shows (Tampa for the sound quality, but also for the band to put out what I think is their best ever event shirt). Def Leppard/Motley Crüe/Poison/Joan Jett (for the epicness of the whole trip, the venue and the show).

    Photo-Randy Cook

    Tom Kiefer Band/LA Guns/Faster Pussycat (for how fun the adventure was and how killer all three bands sounded) and the second day of Monsters of the Mountain which had me seeing a Ratt iteration for the first time since 1991 and Queensrÿche kicking ass. I could add in several more shows here – seriously, the whole year kicked ass.

    Photo-Randy Cook

    All three festivals I attended (two of them cruises) were the funnest times ever (I say that about every music cruise). Great people, great friends, great bands and great destinations. Good times.

    My favorite newly discovered band is Nerd Halen, by far. I got to see two of their shows and I shot their meet and greet sessions on the Monsters of Rock Cruise and at Monsters on the Mountain.

    Photo-Randy Cook

    Their performances are musically so spot on accurate, entire Van Halen career spanning and with the mixed in comedic gold of lead singer Hal Sparks I was laughing my ass off and headbanging through both of their shows.

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    Both of their shows left Obi Wan and me still talking about it days and weeks later, and they were months apart. After getting to spend some time with them in and around the meet and greet shoots I count them all as new friends and say that they are the nicest, most humble guys you could possibly meet.

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    What a year. And 2023 is already looking pretty kick ass as at the time I conclude this I am booked on three more music cruises, have tickets to three shows and my friends and I always have eyes and ears out for announced tours.

    To see my favorite concert photos of the year go here.

    To see the list of shows and bands I saw in 2022 go here and start with show number 255.

    C.M.O.

    \m/

  • Pour Some Shout at the Devil on Me

    Pour Some Shout at the Devil on Me

    Photo-Randy Cook

    The Stadium Tour Review from a Fan in the Stands by Randy Cook

    Never in my life had it taken three years from the date of a concert announcement for the day of the show to finally arrive but that is where I find myself this July 8th morning. The “Stadium Tour” featuring co-headliners Def Leppard and Mötley Crüe with supporting acts Poison and Joan Jett and the Blackhearts was originally announced in 2019 to commence in 2020.

    Photo-Randy Cook

    Well, we all know the world as we knew it in 2019 came to an abrupt stand still in the Spring of 2020 with the arrival of the Covid pandemic. The tour dates were rescheduled to 2021 in the hope that some sort of normalcy would return by then, but alas the pandemic held on longer than any of us wanted. When the tour dates were rescheduled a second time to 2022 my initial thought was ‘Lord, please let this finally happen!’.

    Photo-Randy Cook

    I think rockers everywhere held their breath as the days got closer to the tour start and we all exhaled a sigh of relief once the first few shows on the tour actually happened. I was not able to attend the show closest to me in Orlando, but by my standing as the official/unofficial Chief Metal Officer of the company I work for, my boss was able to secure me two tickets to the show in Chicago.

    Photo-Randy Cook

    The day of the show finally arrives and I find myself sitting in a Lake Bluff, IL coffee shop awaiting the arrival of our company’s official/unofficial Chief Metal Maiden.  Once she completes a half day of work we can figure out our best way to commute to Wrigley Field. There we will rejoice with over 40K of our rock-n-roll brethren and witness this concert that I have been so excited to see for over three years.

    The moment of departure arrived and now came the difficult part especially for an out of towner. Even though the Maiden lives in the northern suburbs, rarely has she ever made the trip to the ballpark via the train. After calculating the trip from the Metra to the purple line, then over to the red line which would deposit us right next to Wrigley Field, I made the command decision to take the Metra to the closest stop to Wrigley and then Uber the rest of the way. Problem solved!

    Photo-Randy Cook

    With a stellar lineup of Joan Jett & The Blackhearts, Poison, Def Leppard and Mötley Crüe, by my math these four iconic bands have an astounding collective 172 years of rock-n-roll history behind them from each band’s origins. Let me say that again – 172 years of combined history. Never before had I seen a show with so much history involved. Maybe the Rolling Stones, but that would be only if you added up the band member’s age.

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    Opening the show and hailing from literally all over the globe (Poland, Hawaii, Los Angeles, Argentina, and Dallas), Classless Act was on stage first and sadly because they played so close to the doors opening I do not think many people had the chance to really check them out beyond hearing them while in line at the merchandise tables, myself included.

    I am certain their blend of tasty rock riffs were heard by thousands and from what I could hear this band certainly deserves more of my future attention. From the things I have heard from friends, it will not be long before Classless Act is doing a headline tour of their own. I was able to catch a few quick glimpses of them and they looked like they put on a lively set even though they were only allotted 20 minutes based on the set times I had seen for the day.

    Photo-Randy Cook

    As Joan Jett & The Blackhearts took the stage I would say the crowd was already maybe at like 60% of the capacity, not bad for being such an early start. This was my fifth time seeing her and her band. Every single show of hers I have seen is a walk down memory lane for me as her “I Love Rock ‘n Roll” release was the first ever musical purchase this young future Chief Metal Officer ever made on this earth.

    Every song in her twelve song set list had people up from their seats and dancing in the isles (actually every band did!). As expected, with such an extensive discography to choose from, her set was mostly a greatest hits show and I was familiar with, pleased to hear and rocked out with every note she played.

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    Up next were the masters of glam metal, Poison, and from the first note of their set it was obvious how badly these guys had wanted to get back playing in front of a live audience and did everything they could to show how much fun they were having on stage performing for us. It was my second time seeing Poison and as soon as the band started everyone was up in their seats and fists were in the air, horns too, as the band took us through a nine song set.

    Photo-Randy Cook
    Photo-Randy Cook

    The stands were I would say near 90% full by now and every song was a crowd favorite. The band’s acoustics were spot on which is hard to do in such a large stadium, they really sounded near crystal clear. Lead guitarist C.C. DeVille played a touching tribute of ‘Eruption’ and pointed to the heavens for Eddie Van Halen, and  think every phone in the stadium was in the air when they played ‘Every Rose Has it’s Thorn’, their monster ballad that has lived on in all of its glory and agony all of these years. 

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    After a brief intermission, smoke machines near the stage and arranged around the baseball infield fired up this massive cloud just as news alerts flashed on the screens to announce the entry of the true bad boys of makeup and hair driven heavy metal. As Mötley Crüe hit the stage we were still obscured from that insane amount of smoke they poured in, but the sound was unmistakable that we had entered the ‘Wild Side’ to start off.

    Photo-Randy Cook
    Photo-Randy Cook

    Next up was an immediate walk down memory lane for me as the band blasted out ‘Shout at the Devil’ I went back in time to my second ever concert – seeing the Shout at the Devil tour in Tampa in 1984. This band and I have some history as this was my sixth time seeing them. 

    Photo-Randy Cook
    Photo-Randy Cook

    While I am a huge fan of the band and they freaking sound as tight as ever, in my opinion lead singer Vince Neil has always struggled live when I have seen them and that is not a knock, but just something I have come to expect is all. And Mick Mars, the guy in such excruciating pain from his long time back issues, at age 71 is still out there just slaying on his guitar – I saw so many people playing air guitar to his solos.

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    Every song of their fifteen song set list (which included a pretty kick ass medley as their discography has too many songs to try and fit into one show, so the medley was perfect, playing parts of ‘Smokin’ in the Boys Room’, ‘Helter Skelter’ and their cover of the Sex Pistols ‘Anarchy in the U.K.’).

    The band sort of relies on a huge laser, smoke and light production but they don’t really need it. Scantily clad ladies dancing and singing backup vocals complete the visual spectacle on stage, but I think the show would kick just as much ass if they just went out there and rocked. 

    Photo-Randy Cook

    With only Def Leppard left to play this evening, as the time grew closer a ten minute countdown began to display on the stage screens and in unison I think everyone in that stadium counted the seconds down till these British rockers tore into and started with two songs in a row off of their just released CD.

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    I mentioned to the Maiden how bold of a move it is/was to start off their set with not just one, but two songs from the new album. While everyone was on their feet the moment that countdown hit zero and the music restarted, it was apparent not everyone was familiar with the newer material. Not like their monster hits which once they came along in the set you would have thought the crowd was singing louder than the production set up if that is even possible. 

    Photo-Randy Cook

    This was my third time seeing the band and they never have disappointed live. I had read that for the nights when Def Leppard was the final act (the two headliners alternate closing the show each stop on the tour) that there was a mini exodus of people leaving after Mötley Crüe but that was not in evidence this evening.

    Photo-Randy Cook

    Plugged in rock gave way to a three song acoustic portion of their eighteen song set. Def Leppard opted not for the massive smoke and lasers, relying instead on letting their music do the talking with a very simple stage layout and as with the other bands I do not think there was a single person in their seat. The band sounded great and the Maiden and I were not alone in singing along with their anthemic hits.

    Photo-Randy Cook

    In conclusion, it was a stellar night of some rock-n-roll that is very close to my heart. These are the bands that I grew up listening to and following (hence mentioning my first musical purchase and second concert). While the peeps around us, the Maiden herself, and several of my friends who have seen earlier stops on this tour had the consensus that Poison stole the show, my favorite was seeing Mötley Crüe.

    Photo-Randy Cook

    Sure, their piped in smoke obscured the stage more than once, but their early releases are so ingrained in my musical roots that they are certainly near the top of my all-time favorite bands. I can say that every band this evening totally kicked ass and this concert is easily among my favorites I have ever seen. Do not hesitate if you are on the fence to see this show. If there is still a date scheduled near you I am certain you will have an incredible experience seeing this rock history laden tour!

    Photo-Randy Cook
    Photo-Randy Cook
    Photo-Randy Cook
  • Marty Friedman and His Inferno at the State Theater

     

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    Marty Friedman (Photo-Travis Failey 2016)

    Megadeth is on top of the world back in the mid 90’s after releasing Cryptic Writings. The songs “Trust and “Almost Honest” are charting well and the chemistry seems to be magnetic from an outsider’s perspective. Things aren’t always what they seem as Dave Mustaine would dismiss drummer Nick Menza from the band. Highly respected guitarist Marty Friedman would leave soon after the release of Megadeth’s next album, the aptly named Risk, which was filled with singles that were light years away from what made Megadeth old school fans gravitate to them.

    Marty Friedman would go over to Japan and start an exclusive and extensive career making the music that he wanted to make. He has evolved into a well respected guitar player throughout the world and has released multiple albums with some success in the States but has attained a massive following over in Japan. He has also lived there since 2003 and is a familiar face on Japanese tv where he has hosted the shows Rock Fujiyama and Jukebox English.

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    Marty Friedman (Photo-Travis Failey 2016)

    It’s interesting walking into a venue when you don’t not know what to expect and at the State Theatre in St. Petersburg with Marty Friedman, this was one of those nights. Out on tour in support of his 2014 release, Inferno, Marty Friedman and his crew played to a packed house in St. Petersburg.

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    Kiyoshi Manii (Photo-Travis Failey 2016)

    A lot of times musicians leave their founding bands or the bands that they had the most success with to go on to do solo projects or create super groups. Many of them can’t hold their own or their sound becomes redundant or stale.
    What Marty Friedman did to eliminate any thought in regard to this is to surround himself with three amazingly talented musicians in guitarist Jordan Shipp, drummer Chargeeee, and a new comer that can be put into the ranks of the great bass players.

    Kiyoshi Manii mesmerized the crowd with her sound and style on the five string bass on “Hyper Doom”, the opening song of the night from the Inferno record. She also provided an additional voice when she sang the lead on the classic “Higher Ground.” She was amazing and worth the price of admission. Exceptional bass tones that were comparable to Billy Sheehan and Stu Hamm.

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    Chargee (Photo-Travis Failey 2016

    Chargee on drums was show himself. He connected with fans through his drumsticks and facial expressions and brought non-stop energy throughout the set. Reminds me of Tommy Lee or Arejay from Halestorm.

    Their set was filled with predominately original music with some anomalies thrown in. For those who wanted to hear a ton of Megadeth music, well they were sadly disappointed. He did include a piece from “Tornando of Souls” and the aforementioned “Higher Ground” by Stevie Wonder but the biggest highlight for one fan was when he was brought on stage to play with the band.

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    Marty Friedman, Ben Clark & Jordan Shipp (Photo-Travis Failey 2016)

    Ben Clark was escorted up on stage and jammed like he belonged up there and didn’t disappoint. Some players would of melted in that spotlight and Ben shined. After Ben left the stage, Marty and his band toasted the crowd by raising their cans of Stella and finished the night with a medley of “Hound Dog” “Thunder March” & the “Ballad and the Barbie Ballads.”

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    Marty Friedman (Photo-Travis Failey 2016)

    For the encore, Marty Friedman would close out the night with Kaeritakunattayo, a cover song originally done by Ikimonogakari.

    It was a song many didn’t recognize as were many songs from the evening buy it didn’t matter. Marty Friedman at the State Theatre solidified his guitar hero status among the likes of Wylde, Vai and Satriani. Hopefully for those not in attendance and that missed an orchestra of sound, Marty and his band mates will be back touring in the States sooner than later.

    For more info on Marty Friedman: http://www.martyfriedman.com/

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    Kiyoshi Manii (Photo-Travis Failey 2016)

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    Ben Clark (Photo-Travis Failey 2016)

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    Chargee (Photo-Travis Failey 2016)

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    Marty Friedman (Photo-Travis Failey 2016)

    Setlist:

    • Hyper Doom

    • Amagigoe

    • Street Demon

    • Elixir

    • Stigmata Addiction

    • Devil Take Tomorrow

    • Tibet / Angel

    • Kyioshi Bass Solo

    • Asche zu Asche / Forbidden City / Tornado of Souls

    • Ripped

    • Jordan Ziff Guitar Solo

    • Inferno

    • Undertow

    • Dragon Mistress

    (with band intros)

    • Hound Dog

    (Big Mama Thornton cover) (Marty on vocals)

    • Thunder March / Ballad of the Barbie Bandits

    • Kaeritakunattayo

  • A Motley Kinda Meet-and-Greet

    Jennifer Devereaux
    (Photo-Jennifer Devereaux)

    “All Bad Things Must Come To An End” – Motley Crue’s final tour with very special guest Alice Cooper – American Airlines Arena, Miami Florida- September 2nd, 2015 (Images by Frank Colucci & Jennifer Devereaux)

    I’d like to start off by saying just how big of a Motley fan that I am. I can remember spotting the Shout at the Devil album in my local record store when I was twelve years old. Soon after that posters filled my walls. Over the years my parents thought I was nuts worshiping four guys who looked very much like women, until my wedding day, when my mom and I danced to “Without You”. I had her read the lyrics before we agreed on the song and she said it was beautiful. This was my 14th time seeing them since the Dr Feelgood tour in 1990. All in Florida with the exception of two years ago when my wife and I flew out to Las Vegas for my 40th birthday at which time Motley Crue was doing their second residency at the Hard Rock Hotel & Casino.

    safe4
    (Photo-Jennifer Devereaux)

    Miami was the second time for me on this farewell tour as they played in my home town (Tampa) just over a year ago. All Motley Crue fans should know by now, the band is retiring and their last show will be this New Years Eve in Los Angeles; the city where it all started almost 35 years ago. Nikki Sixx, Vince Neil, Tommy Lee and Mick Mars all signed a contract in January 2014 stating they will never again tour as Motley Crue. With that being said, I figured last August in Tampa was my final goodbye to one of my most favorite bands of all time…

    safe5
    (Photo-Jennifer Devereaux)

    A few months ago, a very good friend of mine (Noel) called me and said Motley had added more dates to their tour hitting cities they didn’t do on the first run of dates and that they were playing Florida one more time. I was hoping for Orlando since there is an awesome arena downtown and only an hour and a half drive. Noel told me the show was in Miami and that he just purchased two tickets. 3rd row with a meet and greet. I almost lost my mind with excitement just knowing that my pal was going to meet the guys in Motley. A week later, Noel invited me to come along with him.

    At first I wasn’t going to include the cost of the above mentioned tickets in my story. Noel took me as a friend and didn’t take a dime from me but I do feel it’s important if you are reading this to know what it cost and what the experience was like. These tickets were $1000.00 each. Now, I could never afford to drop that kind of $$ on a concert but Noel did and for the thousandth time – “THANK YOU MY FRIEND”

    1000.00 ticket
    (Photo-Frank Colucci)

    Noel shot me an email with all the details and what’s included with each ticket – Seat in the first 5 rows, M&G with Vince, Nikki & Mick only. (Tommy does not participate in the M&G. I heard that he feels it’s a rip off to the fans to charge them so he stays out of it) One personal item to get signed (No guitars or large items) A litho autographed by the three guys, a limited edition 7 inch vinyl, a tour program, commemorative lanyard, a behind the scenes tour and a merchandise voucher worth $225.00 in the Motley online store (Not at the show). September couldn’t come any faster!

    I wanted to get something out of the norm signed, so I purchased a Motley Crue skateboard deck from the bands official website. It’s shiny and black with “Shout At The Devil” written on it and it’s gonna look bad ass signed in silver, hanging right next to a final tour poster I picked up last year at the Tampa show. Noel went traditional and brought an album; 2008’s Saints of Los Angeles.

    Autographed skateboard
    (Photo-Frank Colucci)

    We arrived at the arena promptly at 345p as instructed; gate 4 for the Motley Crue VIP Package Entrance. There seemed to be around fifty people eagerly waiting to meet the Crue. At 4p, one of our VIP hosts meets and brings us inside the arena where we waited in line to sign our waivers and provide our email address so they can send us our pictures with the band. After signing the waiver, we all headed into a room with enough chairs for everyone to have a seat. There was a huge Motley Crue backdrop in front of the room. Motley music was cranking and there were a few small refrigerators that looked like Marshal amps filled with sodas and water along with bags of chips on top for us to snack on. Noel grabbed a water for himself and a Diet Coke for me. The drinks were warm so after one sip, in the garbage it went. Our VIP hosts, two girls, I cannot remember their names, introduced themselves and gave us the rundown of what’s in store for us. Obviously everyone was fired up and ready to meet Motley F’n Crue!

    Autographed litho
    (Photo-Frank Colucci)

    They called our names, one at a time to come up and collect our freebies that were included in the package. The tour book is something you don’t see too often these days at concerts. I have a few from back in the day and I wish I would have purchased more over the years as they are really nice. This one is no different. It’s big and full of amazing pictures of the Crue from 1981 all the way to the current tour. The limited edition 7-inch vinyl is also really cool as the album itself is red. Side A is “All Bad Things Must End” A song released in January of this year and pertains to Motley’s soon to come retirement. Side B is “Sex” which was originally intended to be included in Motley’s tenth studio album which never ended up happening.

    7 inch vinyl and tour book
    (Photo-Frank Colucci)

    After getting our book, album and lanyard, we were advised that they will be calling us up again to now give them what we wanted signed by the band and that Vince, Nikki & Mick will not be signing in front of us. They will do it while we are doing our backstage tour. WHAAAT? Not going to sign in front of us! I thought that was kind of lame but so be it. No one physically complained but I wasn’t the only one disappointed by this.

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    (Photo-Frank Colucci)

    Now it’s time to head into the empty arena and talk to one of the behind the scenes guys and hear about what it takes to set everything up every day on tour including Drummer Tommy Lee’s massive roller coaster which he rides every night suspended up over the audience from the stage all the way to the other side of the arena. If you haven’t seen it, check it out on Youtube. It’s called The Crucifly. Next, in groups of ten or so we got to actually walk around the stage. We started on the right (Mick’s side) and got to see his cabinet full of guitars, rig and the rest of his gear. Next we walked around the back of the stage. It was dark and not too much to see other than some of the equipment that works the pyro. Now, we headed over to Nikki’s side.

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    (Photo-Jennifer Devereaux)

    Now I love all the guys in Motley. There is something very special about each one of them to me. Mick Mars has this insane tone to his guitar that you can easily pick out of a guitar tone lineup. (If there ever was such a thing) Mick’s sound is sick and dirty rolled together and sounds like no-one else. Tommy Lee is one of the greatest drummers of all time; not only his playing ability but the show he puts on while doing it is like no-one else. Vince Neil is one of the coolest lead singers to ever front a band live. Vince keeps the crowd involved and singing throughout the show.

    Nikkis bass cabinet
    (Photo-Frank Colucci)

    Finally we have Nikki Sixx. Nikki is my favorite member of the group. He is a great bass player and an all around bad ass. Everything about his image and look has always been super cool to me. On Nikki’s side it was similar to what we saw for Mick only outside the bass guitar cabinet was Nikki’s flame thrower bass. This was pretty cool to see up close. If you have never seen Motley Crue live, Nikki uses a bass with a flame thrower attached to it during “Shout at the Devil”. It’s pretty awesome to see live and again there are many videos of it on Youtube. Next we walked down the floor area of the arena straight to the back where they have what is called the Cruesnest. The Cruesnest is a second stage used for the last song of the evening. As part of a another VIP experience, fans can purchase seats on the Cruesnest and sit very close and personal with the guys as it rises up about twenty five feet during the last song.

    Frank with flame thrower bass
    (Photo-Frank Colucci)

    Around 515p we all went back into that first room with the chairs and waited for the next part of the VIP experience. MEETING THE BAND! Our host advised us that the M&G will take place at 6p and they will soon line us up for that. At 545p we all lined up just outside the room we were in and waited until 615p until the line started moving. No phones, cameras, markers were allowed. Actually, nothing at all was allowed in your hands while meeting the guys. Noel and I were about half way back and within a few minutes we were all the way near the front. I’m thinking damn, this sure is going quick. I got up to the door as we were next inside. My heart was racing as I could see Nikki’s red bandana around his head.

    Their tour manager asked Noel and I if we wanted our pictures together or separate. Meaning Noel and I in the picture together with Motley or we walk in separately. We had already decided that if we were given only one choice, we would go in together. We went inside and for me it went like this …. “Hey Vince, great to meet you” (handshake) “Nikki, OMG what an absolute honor to meet you” (handshake) “Mick, such a pleasure” (handshake). I stood between Vince and Nikki and Noel between Nikki and Mick. Smile ….Pictures taken and done.

    Frank n noel
    (Photo-Frank Colucci)

    Out the door we went to stand back in line until everyone was finished so we can the collect our things and enjoy the concert. My experience meeting Motley Crue lasted less than 30 seconds. Everyone was in and out in what seemed like less than ten minutes total. We never even heard their voices. At a $1000.00 a ticket (starting for VIP – They had packages up to 5K that included an autographed bass guitar) they could have at least thanked us. I’ve been to a few of these meet and greets, none on the same level as Motley Crue and none of them cost even a quarter of what this one did and they were way more personal and spent time to talk and answer a question or two. Needless to say I was a bit let down but hey that’s Motley. They have been doing this for many years and it must be working for them and at the end of the day it was still one amazing bad ass experience and the concert hasn’t even started yet.

    Alice ballad of dwight
    (Photo-Frank Colucci)

    Instead of going straight to our seats, we decided to skip the first band that we honestly had never heard of and bring all of our stuff to the car and grab a drink. We knew Alice Cooper was on at 745p so we had about an hour.                  Alice took the stage right on time. We were real excited for this since last year in Tampa, the show was outside in an amphitheater. Alice Cooper’s live show should not been seen outside in the daylight. Watching Alice is somewhat like watching a horror movie, and no one goes to the movies and turns on the lights.

    Alice2
    (Photo-Frank Colucci)

    This was my fourth time seeing Alice live but first time close enough to really appreciate what’s all involved in his show. From the opening song “The Black Widow” wrapped in a black robe with costume changes on “No More Mr. Nice Guy” “Feed My Frankenstein” and the highlight for me was of course breaking out of a straight jacket and seeing his head chopped off in a guillotine. For being only a few years shy of 70, Alice really does go way above and beyond what of what you would think for a guy at his age. I mean the songs alone speak for themselves and if he just stood in front of a microphone it would still be awesome, but the theatrical aspect of seeing Alice Cooper live is something creative and very entertaining. Also, I encourage everyone to check out Alice’s guitar player Nita Strauss. Nita was formerly in the Iron Maidens (all female Iron Maiden tribute band). She is an amazing guitarist who’s only 28 and will be around long after Alice decides to retire.

    Nita Strauss
    (Photo-Frank Colucci)

    It’s almost 9p and the arena is full. The lights go out. About a minute later we begin to hear a heart beat type drumming with white lights flashing to the beat. Thousands of South Florida Motley fans screaming in anticipation of what is most likely their last time seeing them (exactly what I thought last August in Tampa – lol) Out walks Mick and lights appear directly behind him as he straps on his guitar. Next to walk out on this very dark stage is Nikki, whose microphone is directly in front of me. Now lights on the left side of the stage. The drums began light up as Tommy takes a seat. The music starts “Girls, Girls, Girls” and Vince runs to the front of the stage and the show has begun. Let’s also not forget the two smoking hot backup singers that graced the stage on and off throughout Motleys entire performance; Two hours of hit songs; one after another spanning through their nine studio albums catalog. The setlist (see below) hasn’t changed much during this farewell tour. I think they may have switched out two or three songs from last year’s show in Tampa.

    safe6
    (Photo-Jennifer Devereaux)

    Seven or eight songs into the concert Vince gave the microphone to Nikki to say a few words to the crowd. “You guys having a good time tonight? Because it seems like some of you are on bath salts. Wake the fuck up, alright, come on! The fucking bimbos in the front row, stop taking selfies, you’re at a fucking rock concert. Jesus Christ! The rest of you guys that came here to see Motley Crue, we have to say that you guys made Motley Crue, you guys called the radio stations, you came to the concerts and you guys made us who we are so thank you very much”. Did he just call two ladies in the front row who paid at least $1000.00 to be there, bimbos? Why, yes he did. Why would you talk to you fans like that? Why? Because he is Nikki Fucking Sixx and this is Motley Fucking Crue!! They didn’t get where they are today by being nice. Motley is rude, crude and in your face and they are the bad boys of rock n roll and back in the day Nikki would have had those girls on the tour bus for an after show snack.

    Nikki talks to the crowd
    (photo Frank Colucci)

    Motley raged on for two hours. Sixteen songs, and solos from both Tommy and Mick. Tommy’s Crucifly drum solo/roller coaster ride came in after “Louder than Hell” off of 1985’s Theater of Pain. For over ten minutes Tommy went from one end of the American Airlines Arena to the other high above the crowd, spinning and playing completely upside down. I honestly can’t think of anything else that could ever top the Crucifly as far as an over the top way to play the drums. Even though he was playing over some of his favorite non-Motley tunes and not like a traditional drum solo, it really was spectacular; and for him to do it night after night is really something else. Earlier in the day while on our backstage tour we learned what it takes to build this massive roller coaster every day. Over a 125 drops from the arena ceiling just to hold it up and the crew rolls in at 8a show day and has everything ready to go usually by 3p goes to show you, how much hard work and creativity goes into putting on a show of this magnitude.

     

    Cruecifly high
    (Photo-Frank Colucci)

    Followed by Tommy were Mick’s sleazy yet heavy guitar riffs. Five minutes of shredding that segued into “Mutherfucker of the Year” off of the bands last studio album, 2008’s Saints of Los Angeles. Did I mention Mick’s tone? SICK! Those who know, know!

    Vince high above
    (Photo-Frank Colucci)

    The last song on the main stage was one of Motley’s biggest songs of all time, both on radio and MTV. “Kick Start My Heart” off of 1989’s Dr. Feelgood. What a way to end a concert. With a song title like that, you know your adrenaline will be pumping. Half way through the song Vince and Nikki each were taken separately high above the audience to finish out the concert on these crane type stage extensions. Confetti was raining down on the floor while the stage was exploding with pyro like the grand finale of fireworks display on the 4th of July, and ending with a flaming pentagram directly behind Tommy as his drums also rose again on the Crucifly. Vince and Nikki returned to the stage and were joined by Tommy and Mick to take their final goodbye bow.

    End of concert Tommy pentagram
    (Photo-Frank Colucci)

    The lights went out and after a few minutes Motley returned for their encore; another huge song for them in the late 80’s, early 90’s Theater of Pains “Home Sweet Home”. This was of course preformed on the Cruesnest stage.

    As sad as it is to say that I’ll never get to see Motley Crue again (Providing they stick to their commitment of never touring again) I have to admit, it’s pretty cool how they went about retiring. We all know these guys aren’t done. They are just done with Motley Crue. Nikki has his band SixxAM, Vince has had a solo career for years already, Tommy has dabbled in a few projects over the years and is a proven club DJ and Mick has already said in interviews that he plans on a solo album and tour not long after the Motley machine is shut down. They are closing shop while still looking good, sounding great and staying true to what makes them Motley Crue. Something a few other bands should take notice of.

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    (Photo-Jennifer Devereaux)

    I’d like to end by saying thank you to Motley Crue. Thank you for eight great studio albums. (I boycotted the band during the one album with John Corabi singing) Thank you for fourteen bad ass concerts over twenty five years for me personally (second most that I have seen one band – Anthrax #16 at the end of September) I can’t wait for each of your next chapters. This guy will be checking it all out for sure. Now, be strong and “Shout at the Devil”!

    Nikki flame
    (Photo-Frank Colucci)

    Alice Cooper set list – 1.”The Black Widow” 2.”No More Mr. Nice Guy” 3.”Under My Wheels” 4.”I’m Eighteen” 5.”Billion Dollar Babies” 6.”Poison” 7.”Dirty Diamonds” 8.”Go to Hell” 9.”Feed My Frankenstein” 10.”Killer” 11.”I Love the Dead” 13.”School’s Out”

    Motley Crue set list – 1.”Girls, Girls, Girls” 2.”Wild Side” 3.”Primal Scream” 4.”Same Ol’ Situation” 5.”Don’t Go Away Mad (Just Go Away)” 6.”Smokin’ in the Boys’ Room” 7.”Looks That Kill” 8.”Mutherfucker of the Year” 9.”Anarchy in the U.K.” 10.”Shout at the Devil” 11.”Louder Than Hell” 12.Drum Solo 13.Drum Solo 14.”Saints of Los Angeles” 15.”Live Wire” 16.”Dr Feelgood” 17.”Kickstart My Heart” 18.”Home Sweet Home”

    An Extra Special Thank You to Jennifer Devereaux for providing us with some images for this article. Check out her work at

    http://www.jenndphotography.com/

  • Rockin’ Ruth Eckerd Hall with Whitesnake

    David Coverdale 01
    David Coverdale ( Photo – Travis Failey )

    Whitesnake came to Ruth Eckerd Hall in Clearwater on a beautiful Thursday night in support of its recent release, Purple. You may ask yourself, why would a band name an album Purple? Well the answer for that would be fairly simple as Purple contains songs from the time that Whitesnake’s lead singer, David Coverdale, spent with the legendary band, Deep Purple.

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    John Corabi ( Photo – Travis Failey )

    It was a night of multiple super groups as Whitesnake’s current lineup showcased former Winger guitarist, Reb Beach, and drummer, Tommy Aldridge, and tonight’s opening band, The Dead Daisies, also brought with them a few familiar names. These included former Guns and Roses keyboard player, Dizzy Reed, and Marco Mendoza from Thin Lizzy, and most notably, vocalist, John Corabi, who recorded and toured with Motley Crue.

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    Dead Daisies ( Photo – Travis Failey )

    The Dead Daisies got the night started promptly at 8 pm in the theater-like setting inside Ruth Eckerd Hall. They run a very tight ship at Ruth Eckerd and the staff are always pleasant and go out of their way to assist you. Another great thing about the venue is the sound. You know walking in that no matter who is performing, that audibly it will be top notch and when you have two bands with veteran musicians, you just know that you will be in for a great night of music.

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    Richard Fortus ( Photo – Travis Failey )

    The Dead Daisies, out in support of their sophomore effort, “Revolución,” opened with the album’s first single, “Mexico.” Even though a majority of the fans in the crowd were unfamiliar with the song, it didn’t take long for Corabi and his band mates to win them over. John Corabi is a showman and he brings with him a voice full of heart, harmony, power and soul and he incorporated the dancing women in the front row throughout their set. The Dead Daisies set included some rare cover tunes from the early seventies in Howlin’ Wolf’s “Evil is Goin’ On” and “Hush” from Joe South, but made famous by Deep Purple.

    The Dead Daisies received the biggest response from the crowd when they performed “Helter Skelter” more in the vein of the Beatles then in the remake by Motley Crue, as their set finale. After they left the stage, The Dead Daisies continued interacting with the crowd by doing an immediate meet and greet at their merchandise tent with the fans right after the show. Meet and greets are rare with a bunch of veteran musicians, but it’s almost a must-do these days due to the state of the industry. It seemed life half of the packed house waited in the meet and greet line that moved quickly and the band took pictures with the fans and sold a good amount of merchandise.

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    John Corabi ( Photo – Travis Failey )

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    David Coverdale ( Photo – Travis Failey )

    The set change time between bands went quickly due to the meet and greet. Prior to Whitesnake coming on, I didn’t know what to expect, especially from David Coverdale. I’ve seen most bands from their era but tonight would be my first seeing any version of Whitesnake. As the band took the stage Whitesnake opened with the Deep Purple classic “Burn.” The 7 minute opus was a perfect beginning for Whitesnake’s set: the fans were familiar with it and primed them for a ride in a musical time machine. My first two impressions during “Burn” was that Coverdale looked great. The 63 year-old vocalist looked like he hadn’t aged in years. And vocally, he was impressive and surprising. To keep the pace and the fans intensity elevated, Whitesnake played two of their radio hits in “Slide It In” and “Fool For Your Loving.” Between the songs, Coverdale expressed how voluptuous some of the women were in the crowd and this was a topic that came up a few times by him throughout the night. He had good reason though as the crowd was rambunctious, the women were dressed to impressed and both the men and the women were partying like rock stars.

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    Joel Hoekstra ( Photo – Travis Failey )

    Whitesnake’s next tracks would include songs from Deep Purple and Whitesnake. They mixed them together well. A lot of people in the crowd didn’t respond to the Deep Purple song “The Gypsy” but Whitesnake reeled them back in by playing “Give Me all You Love.” Three of the next four songs would be from the Purple album, combined with multiple solos. Drummer Tommy Aldridge slammed the skins, not only with his sticks, but with his hands like bongos, and the cymbals with fists like hammers. This made the drum solo memorable as was the harmonica/bass solo from Michael Devin.

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    There were also two distinctly different guitar solos by Reb Beach and Joel Hoekstra. Beach is a Berkeley grad and a former member of Dokken, Alice Cooper and Winger and he played a solo that would make Richie Blackmore proud. Joel Hoekstra is the whole package: flair, style and substance. He played up to the crowd, and the women were pushing each other to get closer to him as Hoekstra played on one knee at the edge of the stage. I’m not sure why the band played so many solos. Four solos seemed to be a bit excessive, when most fans (in my experience) prefer songs over solos.

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    Reb Beach & Joel Hoekstra ( Photo – Travis Failey )

    After Aldridge finished his drum solo, The Deep Purple portion of the set came to an end. The four person harmonies, especially during the “Purple” songs, were amazing. Coverdale was channeling his soulful style throughout, and like John Corabi earlier, he turned to the front row and led a massive sing-along during the Whitesnake hits, “Is This Love,” “Bad Boys” and “Here I Go Again.” In case you were wondering, yes, Coverdale hit The high note during the song. Whitesnake left the stage, but returned after a short break, to play their biggest hit, “Still of The Night,” for the encore.

    Whitesnake 01

    I can’t say enough about Whitesnake’s and The Dead Daisies’ vocalists. Corabi and Coverdale put on one hell of a show, not only incorporating the crowd, but their vocals were outstanding. Yes, they are veterans and should be outstanding, but as many of us know all too well, a lot of the 80’s front men today just go through the motions and cash the check. But I believe that these two artists do it not only for the funds, but mainly for the fans. Corabi and Coverdale posed throughout the show so that fans could take their pictures with their cell phones and it never effected their performance. They also knew when to let their accomplished band mates take center stage.

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    David Coverdale ( Photo – Travis Failey )

    The Purple Tour featuring Whitesnake and The Dead Daisies at Ruth Eckerd Hall was a journey back to a time in the 70’s where the music mattered, and into the 80’s of hair and flair. It was a night of quality music, fun songs, smiles and even a few pairs of spandex.

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    John Corabi ( Photo – Travis Failey )

    For more on Whitesnake visit: http://www.whitesnake.com/news.php

    For complete setlists see:

    Dead Daisies: http://www.setlist.fm/setlist/the-dead-daisies/2015/ruth-eckerd-hall-clearwater-fl-63f646f3.html

    Whitesnake: http://www.setlist.fm/setlist/whitesnake/2015/ruth-eckerd-hall-clearwater-fl-6bf64626.html

    More Photos By Travis Failey

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    Tommy Aldridge ( Photo – Travis Failey )

    Joel Hoekstra 01
    Joel Hoekstra ( Photo – Travis Failey )

    David Coverdale 02
    David Coverdale ( Photo – Travis Failey )

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    Michele Luppi ( Photo – Travis Failey )

    John Corabi 04
    John Corabi ( Photo – Travis Failey )

    David Coverdale 04
    David Coverdale ( Photo – Travis Failey )

     

    Joel Hoekstra 02
    Joel Hoekstra ( Photo – Travis Failey )

  • At the Capital With Mr. Big

     

    Full Band 03

    The year was 1988, and hard rock was at its peak. Bands like Aerosmith, Motley Crue, and the Scorpions were being played everywhere. From radio stations to MTV to Friday Night Videos, the rock sound and the scene were everywhere. Van Halen, with a new veteran front person in Sammy Hagar, was picking up where it left off after the departure of David Lee Roth, and Roth was selling out arenas with his solo act, which featured two virtuosos, guitarist, Steve Vai , and bassist, Billy Sheehan. With the undeniable success of the multi-platinum Eat Em’ and Smile album and their follow-up release, Skyskraper, it looked like David Lee Roth, Steve Vai, Billy Sheehan and drummer, Greg Bissonette, would be playing together and producing more multi-platinum albums for many years to come. But this was not meant to be, because prior to the Skyskraper tour commencing, Billy Sheehan announced that he would be leaving the band.

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    Billy Sheehan (Photo: Travis Failey RSEN)

    After Sheehan’s departure from David Lee Roth, word in the music community was that he would be forming another supergroup, Mr. Big, with former Racer X guitarist Paul Gilbert, drummer Pat Torpey, who played with Belinda Carlisle and had a stint with the Knack, amongst others, and a very accomplished vocalist in Eric Martin.

    In 1989, Mr. Big released their self-titled debut album, which received limited success in the US, but produced the hit single, “Addicted To That Rush,” which provided a sound that the masses had not heard before. Guitarist, Paul Gilbert, incorporated a power drill at the beginning of the song that made you immediately stop and take note. Gilbert had used the drill previously in Racer X, and the power drill was later used by Eddie Van Halen on “Poundcake.”

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    Paul Gilbert (Photo: Travis Failey RSEN)

    After the touring cycle concluded, Mr. Big went back into the studio and produced their sophomore release, Lean Into It. Lean Into It was the band’s greatest commercial success in the US, with hits “To Be With You,” and “Just Take My Heart.” In 1993, Bump Ahead hit the airways. Even though Bump Ahead didn’t achieve the commercial success of Lean Into It, Bump Ahead helped Mr. Big continue its popularity overseas, particularly in Japan.

    With the advent of grunge music in the US in the 1990s, hard rock bands were hard-pressed to attain commercial success in the next decade, but Mr. Big’s popularity in Japan never waned. Mr. Big continued to release albums and toured in Japan to packed stadiums.

    Eric Martin 02
    Eric Martin (Photo: Travis Failey RSEN)

    Mr. Big went through some lineup changes through the years, and fully disbanded in 2002. But after being away for several years, Mr. Big got back together in 2009 and celebrated the 20thyear anniversary of their debut release.

    Mr. Big released What If in 2010 and continued to tour to packed houses in Japan. With hard rock being back “in style” in the US, Mr. Big fans flocked to see the original members play their favorite hits from the band.

    In December of 2014, Mr. Big released its 8th studio record, The Stories We Could Tell, and started their touring cycle in the UK. One caveat to that would be that drummer, Pat Torpey, would not be touring with the band, as Torpey had been diagnosed with Parkinson’s disease.

    Former Ace Frehley drummer, Matt Starr, took over the drumming duties for Mr. Big’s The Stories We Could Tell tour. With Starr behind the kit, they traveled from the UK through Brazil, which lead up to Mr. Big’s four-stop US tour, which started tonight at Clearwater’s Capital Theatre.

    Full Band 02
    (Photo: Travis Failey RSEN)

    Ok. Maybe Clearwater, Florida sounds like an odd first spot to start a four-stop US tour, but when you consider the immensely positive response that bassist, Billy Sheehan, and the Winery Dogs received when they played here last year, it made sense. But it truly took me by surprise because I asked Sheehan at the Winery Dogs show if Mr. Big would be back this way anytime soon and he stated that he “didn’t think so.”

    Mr. Big took the stage promptly at 7:30 and busted out with a huge fan favorite, “Daddy, Brother, Lover, Little Boy.” It was obvious from the start that the fans in attendance were ready to sing and that Mr. Big was happy to be back in the states. This was mentioned numerous times throughout the set by Eric Martin and also by Billy Sheehan. Speaking of Eric Martin, he showed his range tonight and that he hasn’t lost a step in the way he sings rock music with such soul and precision. Martin did seem to get ticked- off a few times throughout the night due to lighting issues and some sound difficulties, but it didn’t affect his performance in any way.

    Billy & Eric
    Martin & Sheehan (Photo: Travis Failey RSEN)

    Mr. Big kept the pace upbeat through the early stages of the set with “Gotta Love the Ride,” and “American Beauty.” Hearing “American Beauty” live is sure to get your feet-tapping and heart racing. With Billy Sheehan pulling out his tool bag of flying bass moves and finger-tapping techniques, and Paul Gilbert teeth-picking his guitar throughout the night’s show, the fans had only begun being treated to an unforgettable evening of sights and sounds.

    Paul Gilbert 01
    Paul Gilbert (Photo: Travis Failey RSEN)

    Mr. Big interlaced songs from the newer releases, but always knew what the US audiences wanted to hear, specifically songs from its first two albums. After performing “UnderTow,” and “Alive and Kicking,” the crowd was treated to a surprise: Mr. Big’s original drummer, Pat Torpey, joined the band on stage for most of the evening. Torpey played various roles: as a dual drummer, with Torpey playing a mini kit while Starr hit the big skins; as a backup vocalist on the band’s huge US hit, “Just Take My Heart,” and their rendition of the Cat Steven’s classic, “Wild World;” and he also get behind the big kit for a song or two later in the set.

    Pat Torpey01
    Pat Torpey (Photo: Travis Failey RSEN)

    It was a given that some time during the set Billy Sheehan would take center stage and perform one of his signature bass solos. He didn’t disappoint as Sheehan is a magician on the bass. The fans in the stands didn’t take their eyes off of Sheehan, not only during his solo, but throughout the night. Sheehan’s solo was six and a half minutes long, which may seem excessive, but it was brilliant. It transitioned to an all out guitar dual between Sheehan and Paul Gilbert.

    Billy Sheehan 02
    Billy Sheehan (Photo: Travis Failey RSEN)

    It‘s amazing how underrated Paul Gilbert is as a guitar player. You think of the active greats in Slash and Zack Wylde, but it’s not often that you hear Gilbert’s name mentioned. All you have to do is see him perform live and you will put Gilbert’s name in the “Guitar Greats” category. After all, Eddie Van Halen borrowed one of his moves…Nuff said.

    Paul Gilbert (Photo: Travis Failey RSEN)

     

    After Sheehan and Gilbert jousted, the band moved seamlessly into “Addicted To That Rush.” They closed out the main set with “Rush,” during which, vocalist, Eric Martin addressed the crowd and asked them if they were “addicted” and the crowd went ballistic. Usually a band would end the night with such a crowd favorite but that was only the twenty-first song of a twenty-six song set. That’s right, twenty-six songs, which equated to two and a half hours of music that flew by.

    Mr. Big’s encore was another full stage with Torpey coming out from the mini-kit to play the tambourine and sing on the ballad, “To Be With You.” They would also play another foot-tapper/ body-mover in “Colorado BullDog,” with Sheehan making his bass bark like a dog.

    Torpey & Martin
    Pat, Eric & Matt (Photo: Travis Failey RSEN)

    You would think that that would be the end of the night, but, no. More surprises would be in store for their fans, as all the members of the band changed instruments. Martin played on bass, Sheehan and Starr were on guitar, Gilbert was on the drums, and Pat Torpey took center stage and performed their cover of “Living After Midnight.” Torpey crushed the vocal track of the Priest classic. It was a special moment, not only for the crowd, but also for the band. Martin again mentioned how special it was for Pat to be playing with them, because they didn’t think it was going to happen due to Pat’s illness.

    Full Band
    “Living After Midnight” (Photo: Travis Failey RSEN)

    They closed the night out with the Free cover, “Mr. Big.” Eric Martin told the story of how when the band got together, they had the clothes and the songs, but they didn’t have a name. They all loved Paul Rodgers and his band, Free, and one day when they were at practice, Martin picked up the Free album, realized that he loved the song, and the name, “Mr. Big,” and that’s how Mr. Big got its name.

    Mr. Big said their goodbyes, took a bow, and told the crowd how much they appreciated them, and, once again, how happy they were to be back home. It was genuine to say the least.

    Eric Martin 01
    Eric Martin (Photo: Travis Failey RSEN)

    It was an amazing night of music and showmanship that I’m pretty sure that most in attendance will not forget. If you are lucky enough to be in one of the other three stops on Mr. Big’s US tour, make sure you get out to see them. You won’t be disappointed.

    On a side note, I spoke with Billy Sheehan once again after tonight’s performance, and I asked him a very specific question: “Billy, Dave calls you up and says, “I’m getting the band back together. Me, You, Steve and Greg. What do you think? You In?” Billy replied, and I quote, “If it’s the original band, I’m In.”

    Hey Dave. Wanna borrow my phone?

    For more information on Mr. Big: http://www.mrbigsite.com/

    More Photos by Travis Failey

     

     

     

  • The Tour – Motley Crue & KISS

    Paul Stanley (photo: Frank Colucci)

    Tampa, Fla. (7/28/12)– I love it loud

    The Saints of Los Angeles marched through a packed crowd Saturday July 28th, making their way to the stage at the 1-800-ASK-GARY Amphitheater.  Waving flags and shooting fire extinguishers in the air. The place was packed, from the front of the stage all the way to the lawn. I have to admit, I was a bit skeptical shelling out $185.00 for this one. I’ve seen Motley about ten times since the Dr. Feelgood tour at the Bayfront  Center in St. Pete back in 91 –  92 and KISS probably just as many times dating back to their Hot In The Shade tour when they weren’t wearing any makeup.

    Each band did 12 songs and a solo. Motley’s solo, of course, was Tommy Lee on drums. Tommy is definitely one of the best showman drummers of all time. His rollercoaster drum set has been on tour for a few years now. Although, it wasn’t the most bad ass drum solo I have ever seen, it was still spectacular.  One lucky fan got to ride the coaster with Tommy. Motley’s set list consisted of its radio hits including Wild Side, Home Sweet Home, Girls-Girls-Girls & Kick Start My Heart.  Motley also preformed its brand new song, titled SEX.  A perfect name for a song from a band whose list of women is at least a mile long.

    Up next was KISS or should I say Gene Simmons, Paul Stanley and two other guys pretending to be original members. (Tommy Thayer, lead

    Gene Simmons (photo: Frank Colucci)

    guitar and Eric Singer, drums) First, let me say, I love KISS. I have been into them since the early 80’s and I understand that bands have members who come and go. I also acknowledge that there are very few acts over thirty years old that still consist of its original members. However, I do feel somewhat cheated when I see two guys dressed exactly like the original members, wearing the same makeup and performing the songs exactly like the original members.  I mean, put a little of your own personal touch into it.  Now with that being said, the show was nothing less than amazing. A casual KISS fan wouldn’t have even known it wasn’t the original lineup.

    One of the great things about seeing KISS live is the giant TV screen on their stage. It’s so big, crystal clear and in your face!  It almost gives you the feeling of being in the front row. KISS’ set started with the classic Detroit Rock City and ended with its anthem Rock and Roll All Nite. Other colossal hits included Shout it Out Loud, Love Gun and Lick It UpKISS also played a new song off of their yet to be released album, titled “Monster”. The single is called “Hell or Hallelujah”. In my opinion, this is their best material since their 1992 album, Revenge.  KISS’ solo, of course, consisted of Gene spitting blood and flying to the top of the stage to finally sing the bass driven song “God of Thunder”. The show ended with the drums in the air. Gene Simmons and Tommy Thayer played on risers high in the sky while cannons shot so much confetti it looked like there was a snow storm in Tampa, Florida.

    Now that the show is over, I have to reevaluate my opinion regarding the cost of my ticket. While this was the most money that I have ever spent on one concert, in the end, it was actually two shows in one.   Each of these bands could easily charge $100.00 in their own right. So, now that I think about it, maybe this co-headliner show was actually a bargain.

  • St. Pete Times Forum Upcoming Events 2011

     

     Here is a list of upcoming events for the rest of the year at the St.

    Quarterback KK Metheny (15) leads the Tampa Breeze in the red zone versus the Philadelphia Passion last year at the St. Pete Times Forum. (RSEN photo by Hampton Allen)

     Pete Times Forum.  Of course there will be Lightning Hockey and RSEN will add the schedule when it is released.

    JUNE 2011    
    Storm vs. Predators Friday, June 17, 2011  8:00 PM
         
    Keith Urban  Saturday, June 18, 2011  7:30 PM
         
    Cirque du Soleil Alegria Wednesday, June 22, 2011  7:30 PM
         
    Cirque du Soleil Alegria Thursday, June 23, 2011  7:30 PM
         
    Cirque du Soleil Alegria Friday, June 24, 2011  3:30 PM
         
    Cirque du Soleil Alegria Friday, June 24, 2011  7:30 PM
         
    Cirque du Soleil Alegria Saturday, June 25, 2011  3:30 PM
         
    Cirque du Soleil Alegria Saturday, June 25, 2011  7:30 PM
         
    Cirque du Soleil Alegria Sunday, June 26, 2011  1:00 PM
         
    Cirque du Soleil Alegria Sunday, June 26, 2011  5:00 PM
         
    JULY 2011    
    Storm vs. Voodoo Friday, July 01, 2011  8:00 PM
         
    Motley Crue and Poison Wednesday, July 06, 2011  7:00 PM
         
    Storm vs. Force Saturday, July 16, 2011  7:30 PM
         
    Tampa Bay Bridal Show Sunday, July 17, 2011  12:00 PM
         
    Tampa Bay Job and Career Fair Monday, July 18, 2011  10:00 AM
         
    Storm vs. Sabercats Saturday, July 23, 2011  7:30 PM
         
    AUGUST 2011    
    Hillsong UNITED Friday, August 05, 2011  7:30 PM
         
    OCTOBER 2011    
    Women of Faith Imagine Tour  Friday, October 14, 2011  10:00 AM
         
    Women of Faith Imagine Tour  Friday, October 14, 2011  7:00 PM
         
    Women of Faith Imagine Tour    Saturday, October      15, 2011  9:00 AM
         
    LFL: Cleveland Crush vs. Tampa Breeze Friday, October 21, 2011  9:00 PM
         
    Josh Groban Friday, October 28, 2011  8:00 PM
         
    NOVEMBER 2011    
    Taylor Swift Saturday, November 12, 2011  7:00 PM
         
    DECEMBER 2011    
    Andrea Bocelli Sunday, December 04, 2011  7:30 PM
         
    LFL: Orlando Fantasy vs. Tampa Breeze Friday, December 30, 2011  9:00 PM